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Toyo Ito (b. 1941) is one of the most important Japanese architects working today, and has grown to be one of the most influential in the world. He is famous for ambitious and stunning projects such as the Sendai Mediatheque, TOD’S Omotesando, Tama Art University Library, and Island City Central Park, all of which demonstrate his ability to use materials in surprising and innovative ways, with revolutionary high‐tech organic geometries. In this unique volume Toyo Ito presents a personal selection of 31 of his projects divided into 14 thematic sections, all with introductions in which Ito looks at some of the influences on and trends in his thought. The eminent architect Riken Yamamoto provides an introduction, while the internationally respected architecture critics Dana Buntrock and Taro Igarashi contribute exploratory essays.
The work of Japanese architect Toyo Ito explores the dynamic relationship between buildings and their environments. His principal focus is on developing an architecture free of the grid system, which he believes homogenizes people and their lives. Toyo Ito: Forces of Nature documents the architect's 2009 Kassler lecture at the Princeton University School of Architecture. Told primarily in Ito's own voice, the book features the edited lecture transcript, as well as an interview with the architect by Julian Worrall and a new translation of Ito's 1980 essay "The Projection of the 'Profane' World onto the 'Sacred.'" Projects illustrated in the book include: Berkeley Art Museum and Pacific Film Archive (unbuilt), Taichung Opera House, Tama Art University Library, and Kakamigahara Crematorium. Bringing together different strands of a long and fruitful career, Toyo Ito: Forces of Nature concludes with an afterword by Ito that addresses the exhibition Home for All, a response to Japan's earthquake and tsunami disasters in March 2011.
The second in a two-volume introduction to the extraordinary career of architect Toyo Ito, this monograph features 20 of his works in Japan and abroad since the Sendai Mediatheque, including the 2002 Serpentine Gallery Pavilion, Tama Art University Library and Kaohsiung Stadium, plus ongoing projects such as the National Taichung Theater. In addition, Itos endeavours surrounding his Home-for-All project (featured at the 2012 Venice Biennale) are given special attention. In a conversation with Terunobu Fujimori, Ito reveals his personal insight regarding these Edited buildings and projects, which are accompanied by abundant photographs, drawings and sketches.
In 1995, Toyo Ito's competition project revealed a new structural prototype (or archi-type) which expressed the will to incorporate the notions of mobility and fluidity into space and structure. This book presents the process of design and construction of this prototype since then.
A collection of architectural writings by the prominent Japanese architect Toyo Ito, covering over 30 years of writing.
This lushly illustrated monograph presents the Japanese architect's most significant projects, starting with the Aluminum House of 1970-1 through to the most recent project for the Mahler 4 office block in Amsterdam (2000-2001).
'A Japanese Constellation' focuses on the work of a small group of architects and designers influenced by and gravitating around the architect Toyo Ito and the architectural firm SANAA.
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Focuses on the work of the Japanese structural engineer, Mutsuro Sasaki, and in particular his collaboration with architects Toyo Ito and Arata Isozaki. This book details four projects: Island City Central Park, Kakamigahara Crematorium, Qatar Education City Convention Centre, and Florence New Station.
The Architectural Documents series sees the publication of the first monograph on one of the most extraordinary figures on the contemporary architectural scene, Toyo Ito of Japan (b. 1941). Since the 1970s Ito has been carrying out research into building materials, light and space, research which has led him to design buildings that he himself has defined as "non material": aerial structures, fluid and permeable spaces which avoid rigid compositional geometries. Over the years Ito has gradually simplified his language, and his work, the structure of which has increasingly lost importance, can be studied as a series of variations on the layering of the facade. His obsession with lightness and...