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Red Caps
These teenage boys and girls need not fear that their love has no worth, because Steve Berman has written for them princesses who love maidens and adorkable students who have wondrous and smart boyfriends.
Feminist Collections
None
Out Behind the Desk
Out Behind the Desk: Workplace Issues for LGBTQ Librarians is an anthology of personal accounts by librarians and library workers relating experiences of being gay, lesbian, bisexual, transgendered, or queer at work. A broad spectrum of orientations and gender identities are represented, highlighting a range of experiences of being and/or coming out at work.
LITERATURE AS THEOLOGY
神学としての文学 ：エリザベス・ギャスケルの小説における放蕩息子の喩え話。 Elizabeth Gaskell は、著名な Charles Dickens や George Eliot らと 同時代に活躍した、英文学史上、重要な作家である。 キリスト教作家であると指摘されて久しい Gaskell であるにも関わらず、 彼女の文学をキリスト教神学の表象として捉えた論考は、著者の知る限り 未だ出されていない。 「ルカによる福音書」１５章１１－３２節にある、父の財産で放蕩を 尽くしたあと戻ってきた次男を温かく迎える父親の話は、罪を犯し、 悔い改めた人間を赦...
A Research Guide to Gothic Literature in English
The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.
The Split Subject of Narration in Elizabeth Gaskell's First Person Fiction
The Split Subject of Narration in Elizabeth Gaskell’s First-Person Fiction analyzes a number of Elizabeth Gaskell's first-person works through a post-modern perspective employing such theoretical frameworks as psychoanalytic theory, narratology, and gender theory. It attempts to explore the problematics of Victorian subjectivity, bringing into focus the ways in which both her realistic and Gothic texts undercut and interrogate post-Romantic assumptions about an autonomous and coherent speaking and/or narrating subject. The essential argument of the book is that the mid-nineteenth-century narrating “I”, in its communal, voyeuristic, and Gothic manifestations emerges as painfully divided...
