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Whether you want to be the next Bill Bryson, set up a brilliant blog or simply make the best of your travel journal, this book will lead you along the travel writer’s way. The Travel Writer’s Way takes a ground-breaking approach to the craft of travel writing, with a 12-step programme of ‘creative journeys’ specially tailored to develop your writing skills. Whether you want to write for pleasure or for publication, for friends or for the wider world, you’ll find this book as inspiring as it is useful. It also contains invaluable advice from a galaxy of the finest travel writers, editors and bloggers, the first guide to gather insights from so many acclaimed experts. Paul Theroux, W...
Where can travel writing go in the twenty-first century? Author and lifelong travel writing aficionado Tim Hannigan sets out in search of this most venerable of genres, hunting down its legendary practitioners and confronting its greatest controversies. Is it ever okay for travel writers to make things up, and just where does the frontier between fact and fiction lie? What actually is travel writing, and is it just a genre dominated by posh white men? What of travel writing’s queasy colonial connections? Travelling from Monaco to Eton, from wintry Scotland to sun-scorched Greek hillsides, Hannigan swills beer with the indomitable Dervla Murphy, sips tea with the doyen of British explorers,...
Providing information on how to get started in travel journalism, this book deals with all aspects of the profession, from its glamorous image to the gruelling reality.
Bursting with invaluable advice, this inspiring and practical guide, fully revised and updated in this new edition, is a must for anyone who yearns to write about travel - whether they aspire to make their living from it or simply enjoy jotting in a journal for posterity. You don't have to make money to profit from travel writing. Sometimes, the richest rewards are in the currency of experience. How to be a Travel Writer reveals the varied possibilities that travel writing offers and inspires all travellers to take advantage of those opportunities. That's where the journey begins - where it takes you is up to you. Let legendary travel writer Don George show you the way with his invaluable ti...
This book is for travel writers and bloggers studying to develop their professional and creative practice at university. It is aimed at the level of final year undergraduate and Masters level, for example, MA and MFA in creative nonfiction. Much of the work in developing this book has been drawn from my teaching and research supervision on the Masters programme for travel writers at the University of Plymouth, the ResM in Travel Writing. Alongside developing your growth and confidence as a literary travel writer it provides an approach that forms the framework for a research project suitable for a postgraduate thesis. For your career, where writing commissions are sought, it will help you to professionalise your practice so that each new project is productive from an earlier stage
The keys to real success in travel writing and blogging.
Travel writing matters Explore the world through this beautiful collection of the finest travel writing published in British media in the 21st century – as judged by some of the most respected travel writers in the world: Levison Wood, Monisha Rajesh, Jessica Vincent and Simon Willmore The world has changed, but our desire to explore new places remains as strong as ever. The Best British Travel Writing of the 21st Century includes 30 outstanding travel stories published in British media over the last two decades, as chosen by some of the top names in travel writing today. Through travel’s most talented storytellers, you’ll face adversity along the Congo’s raging River Lulua, make new friends aboard Iraq’s night train, and embark on life-changing pilgrimages from India to Saudi Arabia. This book is an ode to travel and all that it offers, but it’s also a celebration of a genre that brings the world closer to us. At its best, travel writing encourages empathy and inspires change. Join our award-winning writers in marvelling at the power and beauty of travel, and let them inspire you to fall in love with the world all over again.
Oxford Literary Resources is a series designed to meet the wider reading needs of 14-16-year-olds studying for GCSE English. Each title in the series focuses on a single genre. This particular volume, examining travel literature, takes students to a wide range of destinations through the eyes of great travellers, explorers and tourists. Autobiographical accounts of the journeys of Isabella Bird, Jonathan Raban and Christina Dodwell are presented alongside poetry, journalistic articles and fiction. Students are encouraged to examine the many styles in which these writers describe their experiences, and to think about the benefits of travel.
In 1933 Robert Byron began a journey through the Middle East via Beirut, Jerusalem, Baghdad, and Teheran to Oxiana--the country of the Oxus, the ancient name for the river Amu Darya which forms part of the border between Afghanistan and the Soviet Union. The Road to Oxiana offers not only a wonderful record of his adventures, but also a rare account of the architectural treasures of a region now inaccessible to most Western travelers.
In writings about travel, the Balkans appear most often as a place travelled to. Western accounts of the Balkans revel in the different and the exotic, the violent and the primitive − traits that serve (according to many commentators) as a foil to self-congratulatory definitions of the West as modern, progressive and rational. However, the Balkans have also long been travelled from. The region’s writers have given accounts of their travels in the West and elsewhere, saying something in the process about themselves and their place in the world. The analyses presented here, ranging from those of 16th-century Greek humanists to 19th-century Romanian reformers to 20th-century writers, socialists and ‘men-of-the-world’, suggest that travellers from the region have also created their own identities through their encounters with Europe. Consequently, this book challenges assumptions of Western discursive hegemony, while at the same time exploring Balkan ‘Occidentalisms’.