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Day Boy
Winner of the Aurealis Awards for Best Fantasy and Best Horror Novel With brilliantly evocative, hypnotic prose, Trent Jamieson crafts a coming-of-age, elevated horror story about a headstrong boy—and the monstrous vampire who taught him to be a man. The Masters, dreadful and severe, rule the Red City and the lands far beyond it. By night, they politic and feast, drinking from townsfolk resigned to their fates. By day, the Masters must rely on their human servants, their Day Boys, to fulfill their every need and carry out their will. Mark is a Day Boy, practically raised by his Master, Dain. It’s grueling, often dangerous work, but Mark neither knows nor wants any other life. And, if a D...
The Giant and the Sea
A giant stands on the shore, watching the sea. She never moves, never speaks, until the day she turns to a little girl and says, 'The sea is rising.' The brave girl takes the message to the town. But when the people refuse to listen, the giant must find another way to save them. Perfect for the children of the Climate Strike, this is a lyrical and deeply moving story about climate change, standing up for what you believe in, and the power of hope. Winner of the 2021 Environment Award for Children's Literature
The Stone Road
Winner of the Aurealis Award for Best Horror Novel Finalist for the Aurealis Award for Best Fantasy Novel Finalist for the Australian Shadow Awards for Best Novel With the lyrical cadence of The Last Unicorn and intense imagery of A Wizard of Earthsea, The Stone Road is a timeless story of hope, belonging, and growing into your power. Award-winning Australian author Trent Jamieson presents a haunting rural fantasy where the dead speak beneath your feet and twisted monsters hunger for their lost humanity. On the day Jean was born, the dead howled. A thin scratch of black smoke began to rise behind the hills west of town: Furnace had been lit, and soon its siren call began to draw the people o...
The Business of Death
Steven de Selby has a hangover. Bright lights, loud noise, and lots of exercise are the last thing he wants. But that's exactly what he gets when someone starts shooting at him. Steven is no stranger to death -- Mr. D's his boss after all -- but when a dead girl saves him from sharing her fate, he finds himself on the wrong end of the barrel. His job is to guide the restless dead to the underworld but now his clients are his own colleagues, friends, and family. Mr. D's gone missing and with no one in charge, the dead start to rise, the living are hunted, and the whole city teeters on the brink of a regional apocalypse -- unless Steven can shake his hangover, not fall for the dead girl, and find out what happened to his boss -- that is, Death himself. The Business of Death includes the first two volumes of the Death Works trilogy, Death Most Definite and Managing Death, as well as the third volume.
Roil
Shale is in trouble - the creature-filled darkness known as the Roil is expanding, consuming the land, swallowing cities whole. Where once there were 12 metropolises, now only 4 remain. It's up to a drug addict, an old man and a woman bent on revenge to try to save their city - and the world.
Night's Engines
The conclusion of the Night-Bound Land duology. The Roil has not yet been defeated - and the Roil extends its grip on Shale, following the commands of the Dreaming Cities. Wars will be fought. Doomsday weapons employed. And night will fall.
Managing Death
Steve has a new job - Australia's Regional Death. On a good day he thinks it has a ring to it, but on a bad day (most of them) it's more of a toll. He's recently averted a Regional Apocalypse, but that's only the beginning. With barely a month to go until the world's thirteen Deaths get together to talk, erm, death, a crisis is imminent - Stirrer attacks are on the rise as their dark god draws near; someone is trying to kill him; he's developed a drinking problem. And he has a conference to organise. Steven must start managing Death before it starts managing him, or this time the apocalypse will be more than regional.
The Business Of Death
It's one thing to run Mortmax International as head of a team, but it's quite another to rule alone. Staff fatalities have left Steven by himself on the Throne of Death, and there's no time to get comfortable. The Stirrer god's arrival is imminent, threatening life as we know it. Plus Steven has managed to mortally offend the only ally strong enough to help out. And how can he ask someone to marry him when the End of Days seems inevitable? As if they're going to think he's committed. The portents don't look good as a comet burns vast and looming in the sky and Steven can almost hear a dark clock ticking. He will have to play nice if he wants his ally back, and must address the madness of the Hungry Death within himself if he even has a chance at defeating the Stirrer god. If he fails, Hell and Earth are doomed and wedding bells will be quite out of the question.
Death Most Definite
Steven de Selby has a hangover. Bright lights, loud noise, and lots of exercise are the last thing he wants. But that's exactly what he gets when someone starts shooting at him. Steven is no stranger to death-Mr. D's his boss after all-but when a dead girl saves him from sharing her fate, he finds himself on the wrong end of the barrel. His job is to guide the restless dead to the underworld but now his clients are his own colleagues, friends, and family. Mr. D's gone missing and with no one in charge, the dead start to rise, the living are hunted, and the whole city teeters on the brink of a regional apocalypse-unless Steven can shake his hangover, not fall for the dead girl, and find out what happened to his boss- that is, Death himself.
The Undercurrent
Eighteen-year-old Julianne De Marchi is different. As in: she has an electrical undercurrent beneath her skin that stings and surges like a live wire. She can use it—to spark a fire, maybe even end a life—but she doesn’t understand what it is. And she can barely control it, especially when she’s anxious. Ryan Walsh was on track for a stellar football career when his knee blew out. Now he’s a soldier—part of an experimental privatised military unit that has identified Jules De Marchi as a threat. Is it because of the weird undercurrent she’s tried so hard to hide? Or because of her mother Angie’s history as an activist against bio-engineering and big business? It’s no coinci...
