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The Tempest
The commentary at the heart of the book introduces readers to the challenge of reading The Tempest as a text and responding to the play in performance. Other sections discuss early performances and cultural contexts. A wide-ranging sample of critical responses accompanies consideration of key performances and productions on stage and film.
Romantic Comedy
'The course of true love never did run smooth' – so says Lysander in A Midsummer Night's Dream, and for more than 2000 years the problems faced by young men and women fighting to find and keep an appropriate sexual partner have been a theatrical staple. This book explores the shapes that Romantic Comedy has assumed from Greek New Comedy via Shakespeare to the present. Changing social values have helped to redefine the genre's traditional hetero-normativity, while the recent trend towards more fluid casting has opened up many romantic comedies to radical reinterpretations. Organized chronologically to allow readers to trace the development of the form against changing societal norms, the book features a range of case studies of key works from the British tradition, including A Midsummer Night's Dream, Twelfth Night, Susanna Centlivre's A Bold Stroke for a Wife, Oliver Goldsmith's She Stoops to Conquer, Stanley Houghton's Hindle Wakes, Noël Coward's Private Lives, Shelagh Delaney's A Taste of Honey, Ayub Khan-Din's East is East and David Eldridge's Beginning.
Comedians
'The setting is a schoolroom near Manchester where an evening class of budding comics congregate for a final briefing from their tutor before facing an agent's man from London. Telling jokes for money offers an escape from the building site or the milk round. But the humour is a deadly serious business that also involves anger, pain and truth.' Financial Times 'Trevor Griffiths has not shown his brilliance as a writer more clearly than in Comedians.' Daily Telegraph
Food For Ravens
Winner of a Royal Television Society Award, this is the text of the television drama broadcast by the BBC starring Brian Cox and Sinead Cusack. Food for Ravens is a powerful political drama about one of the great politicians of the Twentieth Century, Aneurin (Nye) Bevan.
Stagecraft
Directing - Stage management - Acting - Set design - Lighting - Costume design - Make up - Workshop - Administration - Choosing the play - Festivals and touring_
The Theatre Guide
With over 500 entries on the most important plays and playwrights performed today, The Theatre Guide provdies an anuthoritative A - Z of the contemporary theatre scene. From Aristophanes to Mark Ravenhill, The alchemist ot The Talking Cure, the guide is both biogrpahically detailed and critically curent, while an extensive cross-referencing system allows for wider perspectives and new discoveries. Stimulating, observant and informative, The Theatre Guide is an essential companion and reference tool for anyone with an active interest in drama.
Piano
"1904. Early summer in the Russian countryside. The general's widow is entertaining two generations of friends, neighbors and family. It is an afternoon of food, drink, music, dancing, cards, fireworks and conversation. On display is the gamut of human behavior comic, pathetic, dignified, visionary, blinkered in a society to whom history is about to speak"--Publisher
These are the Times
A life of Thomas Paine, written for the screen.
Grand Prix
This is the only guide to World Championship results and statistics that any F1 fan will need. From the days of Stirling Moss and Ken Gregory to contemporary Formula 1 stars such as Michael Schumacher and Jacques Villeneuve, The Complete Guide contains the full results of all World Championship races run from 1950 to 1997. Also included are career profiles and complete results for all drivers, and results and statistics for all constructors, year by year.
Guide To Greek Theatre And Drama
A new and definitive guide to the theatre of the ancient world The Guide to Greek Theatre and Drama is a meticulously researched and accessible survey into the place and purpose of theatre in Ancient Greece. It provides a comprehensive author-by-author examination of the surviving plays of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, as well as giving an insight into how and where the plays were performed, who acted them out, and who watched them. It includes a fascinating discussion of the function of the essential characteristics of Greek drama, including verse, rhetoric, music, comedy, and chorus. Above all it offers a fascinating viewpoint onto the everyday values of the ancient Greeks; values with a continuing influence over the theatre of the present day.
