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An Archaeology of Natural Places
This volume explores why natural places such as caves, mountains, springs and rivers assumed a sacred character in European prehistory, and how the evidence for this can be analysed in the field. It shows how established research on votive deposits, rock art and production sites can contribute to a more imaginative approach to the prehistoric landscape, and can even shed light on the origins of monumental architecture. The discussion is illustrated through a wide range of European examples, and three extended case studies. An Archaeology of Natural Places extends the range of landscape studies and makes the results of modern research accessible to a wider audience, including students and academics, field archaeologists, and those working in heritage management.
Ancient Scandinavia
Ancient Scandinavia provides a comprehensive overview of the archaeological history of Denmark, Norway, and Sweden.
Prehistoric Europe
Prehistoric Europe: Theory and Practice provides a comprehensive introduction to the range of critical contemporary thinking in the study of European prehistory. Presents essays by some of the most dynamic researchers and leading European scholars in the field today Ranges from the Neolithic period to the early stages of the Iron Age, and from Ireland and Scandinavia to the Urals and the Iberian Peninsula
Viking-Age Transformations
The Viking Age was a period of profound change in Scandinavia. As kingdoms were established, Christianity became the encompassing ideological and cosmological framework and towns were formed. This book examines a central backdrop to these changes: the economic transformation of West Scandinavia. With a focus on the development of intensive and organized use of woodlands and alpine regions and domestic raw materials, together with the increasing standardization of products intended for long-distance trade, the volume sheds light on the emergence of a strong interconnectedness between remote rural areas and central markets. Viking-Age Transformations explores the connection between legal and e...
Body and Image
The understanding and interpretation of ancient architecture, landscapes, and art has always been viewed through an iconographic lens—a cognitive process based on traditional practices in art history. But ancient people did not ascribe their visions on canvas, rather on hills, stones, and fields. Thus, Chris Tilley argues, the iconographic approach falls short of understanding how ancient people interacted with their imagery. A kinaesthetic approach, one that uses the full body and all the senses, can better approximate the meaning that these artifacts had for their makers and today’s viewers. The body intersects the landscape in a myriad of ways—through the effort to reach the image, the angles that one can use to view, the multiple senses required for interaction. Tilley outlines the choreographic basis of understanding ancient landscapes and art phenomenologically, and demonstrates the power of his thesis through examples of rock art and megalithic architecture in Norway, Ireland, and Sweden. This is a powerful new model from one of the leading contemporary theorists in archaeology.
Europe before Rome
Werner Herzog's 2011 film Cave of Forgotten Dreams, about the painted caves at Chauvet, France brought a glimpse of Europe's extraordinary prehistory to a popular audience. But paleolithic cave paintings, stunning as they are, form just a part of a story that begins with the arrival of the first humans to Europe 1.3 million years ago, and culminates in the achievements of Greece and Rome. In Europe before Rome, T. Douglas Price takes readers on a guided tour through dozens of the most important prehistoric sites on the continent, from very recent discoveries to some of the most famous and puzzling places in the world, like Chauvet, Stonehenge, and Knossos. This volume focuses on more than 60...
The Rock Art of Norway
For thousands of years people in all parts of the world have engraved images on rock panels and stones. Images are found on large, earth bound boulders, on smaller, movable stones or on rock panels in burial chambers. A variety of images are conveyed, including people, animals, objects used by humans, abstract patterns and objects unrecognisable to us. In Norway, rock art has been found at more than 1100 sites. Many motifs occur regularly across the region, others are unique to certain sites. The design and composition of even the most common motifs vary hugely in different parts of the country according to both the era and function of the particular site. It has been a common practice to gr...
Rock Art and the Wild Mind
Rock Art and the Wild Mind presents a study of Mesolithic rock art on the Scandinavian peninsula, including the large rock art sites in Alta, Nämforsen and Vingen. Hunters’ rock art of this area, despite local styles, bears a strong commonality in what it depicts, most often terrestrial big game in diverse confrontations with the human realm. The various types of compositions are defined as visual thematizations of the enigmatic relationship between humans and big game animals. These thematizations, here defined as motemes, are explained as being products of the Mesolithic mind ‘in action’, observed through repetitions, variations and transformations of a number of defined motemes. Th...
From Bann Flakes to Bushmills
This volume of papers is dedicated to Peter Woodman in celebration of his contribution to archaeology, providing a glimpse of the many ways in which he has touched the lives of so many. The twenty-one contributions cover many aspects of predominantly Mesolithic archaeology in Ireland, mainland Britain and North-west Europe, reflecting the range and breadth of Peters own interests and the international esteem in which his work is held. His particular interest in antiquarians and the material they collected began early in his career and Part 1 presents papers which deal with artefacts and finds by antiquarians. Part 2 is concerned with papers on fieldwork projects, both new sites and sites which have been re-investigated, predominantly focusing on the Mesolithic period. Part 3 presents papers on the theme of people and animals, particularly the topic of the Mesolithic-Neolithic transition from different angles.
