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Written on Bamboo and Silk
Paleography, which often overlaps with archaeology, deciphers ancient inscriptions and modes of writing to reveal the knowledge and workings of earlier societies. In this now-classic paleographic study of China, Tsuen-Hsuin Tsien traces the development of Chinese writing from the earliest inscriptions to the advent of printing, with specific attention to the tools and media used. This edition includes material that treats the many major documents and ancient Chinese artifacts uncovered over the forty years since the book's first publication, as well as an afterword by Edward L. Shaughnessy. Written on Bamboo and Silk has long been considered a landmark in its field. Critical in this regard i...
Collected Writings on Chinese Culture
Focuses on such topics as Chinese documents, Chinese paper, ink-making, printing, cultural exchange, libraries, and biographies
Collected Writings on Chinese Culture
A skilled observer and noted scholar of Chinese culture, TsuenHsuin Tsien has contributed profoundly to the West's understanding of the East and vice versa. Having spent six decades as a professor and curator at The University of Chicago, he has been an indispensable resource on a wide range of topics that include Chinese paleography, paper, inkmaking, printing, cultural exchange, libraries, and biographies. Collected Writings on Chinese Culture contains distilled selections from Tsien's major works and journal articles, as well as his Memoir of a Centenarian, which traces Tsien's life from his youth in China through sixty years of scholarship at The University of Chicago. This volume is an excellent companion for anyone familiar with Tsien's work and also a welcome resource for readers unfamiliar with the author's writings and extensive impact within East Asian studies and across all of academia.
The History of Chinese Printing
"This is your significant contribution to the study of Chinese printing history."--Dr. Soren Edgren, Princeton University, and Chinese book specialist.
A Companion to the History of the Book
A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A te...
Reinventing the Tripitaka
The Chinese Buddhist canon is a systematic collection of all translated Buddhist scriptures and related literatures created in East Asia and has been regarded as one of the “three treasures” in Buddhist communities. Despite its undisputed importance in the history of Buddhism, research on this huge collection has remained largely the province of Buddhologists focusing on textual and bibliographical studies. We thus aim to initiate methodological innovations to study the transformation of the canon by situating it in its modern context, characterized by intricate interactions between East and West as well as among countries in East Asia. During the modern period the Chinese Buddhist canon...
The Woman who Discovered Printing
T.H. Barrett, a leading scholar of medieval China, presents an engaging perspective on the history of printing and the intriguing story of Empress Wu (AD 625-705).
Printing and Book Culture in Late Imperial China
Despite the importance of books and the written word in Chinese society, the history of the book in China is a topic that has been little explored. This pioneering volume of essays, written by historians, art historians, and literary scholars, introduces the major issues in the social and cultural history of the book in late imperial China. Informed by many insights from the rich literature on the history of the Western book, these essays investigate the relationship between the manuscript and print culture; the emergence of urban and rural publishing centers; the expanding audience for books; the development of niche markets and specialized publishing of fiction, drama, non-Han texts, and genealogies; and more.
The Language of Paper
As the technology propagated, paper effected profound changes in each society it touched, becoming one of the most important of all cultural media, a status that it retains to the present. Paper accrues value as religious and symbolic markings are added to its surface; fortune papers transport messages to the gods, paper is given the value of money in the form of banknotes, and the dream of flying was first realised in hot-air balloons made of paper. Paper can even be employed as architectural elements, as textiles for garments, and as a medium for artistic expression. In one or many of these manifestations, paper affects the lives of all on earth today. In this cultural history of paper, acclaimed paper artist Therese Weber travels to the few remaining places where traditional methods of papermaking have been preserved. Commencing there Weber takes the reader on a fascinating and colourful journey of discovery of a commodity that many may take for granted, but few fully understand.
中国の紙と印刷の文化史
本書は、紙と印刷の中国および世界文化史の中の地位、作用と影響を重視し、範囲は歴史上のそれぞれの時代、すなわち古くは紙と印刷が最初に出現した時代から近くは19世紀末の手工業時代の終わりまでを含む総合的な著述である。
