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A Corpus of Rembrandt Paintings
Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community ...
Lived Nation as the History of Experiences and Emotions in Finland, 1800-2000
This open access book uses Finland in the nineteenth and twentieth centuries as an empirical case in order to study the emergence, shaping and renewal of a nation through histories of experience and emotions. It revolves around the following questions: What kinds of experiences have engendered national mobilization and feelings of national belonging? How have political and societal conflicts turned into new communities of experience and emotion? What kinds of experiences have been integrated into, or excluded from, the national context in different instances? How have people internalized or contested the nation as a context for their personal, family and minority-group experiences? In what w...
The Producers
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Finland
Buildings speak volumes, not just about their occupants or owners, but about the countries in which they exist. From colonnades to paving stones, the architecture of any building does more than simply date the structure—it celebrates the spirit of a people and a nation. Roger Connah's latest book, Finland, explores the culture and democratic spirit of a country whose buildings carry the indelible markings of Finland's political and physical climate. Nearly all of the country's buildings were constructed after 1917, when Finland gained its independence from Russia. The resulting architecture—often springing from hugely popular public competitions—is emphatically democratic in structure ...
Absence and Difficult Knowledge in Contemporary Art Museums
This book analyzes practices of collecting in European art museums from 1989 to the present, arguing that museums actualize absence both consciously and unconsciously, while misrepresentation is an outcome of the absent perspectives and voices of minority community members which are rarely considered in relation to contemporary art. Difficult knowledge is proposed as a way of dealing with absence productively. Drawing on social art history, museology, postcolonial theory, and memory studies, Margaret Tali analyzes the collections of four modern and contemporary art museums across Europe: the Hamburger Bahnhof in Berlin, the Ludwig Museum of Contemporary Art in Budapest, the Kiasma Museum in Helsinki, and the Kumu Museum in Tallinn.
Art Of The Postmodern Era
Sandler discusses the major and minor artists and their works; movements, ideas, attitudes, and styles; and the social and cultural context of the period. He covers post-modernist art theory, the art market, and consumer society. American and European art and artists are included.
Anish Kapoor
Since the early 1980s, Anish Kapoor's investigations into objecthood, materiality and gravity have explored the concept of the void, or what he describes as "objects becoming space". His sculptures, installations and public art have been characterized by intensely tactile or reflective materials, including coloured pigments, wax, fibreglass, polished stainless steel and PVC, that resist any narrative reading. Deutsche Guggenheim's ambitious commission opens to the public in October 2008 and travels to New York in 2009. It is conceived as an intervention in the galleries that prevents any one complete viewing or experience of the work. Fabricated of Cor-Ten steel, with industrial hinges and flanges exposed, the work tests the boundaries between sculpture and painting, as one opening brings viewers into a cavernous, expansive paint field. This accompanying catalogue offers four points of entry into the work: through philosophy, postcolonial and architectural theory, and structural analysis, and is accompanied by preparatory sketches and architectural renderings.
Mimarlara Mektuplar 2005
Mimarlara Mektup 2005 yılı 71-82 sayıları
