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The Exform
Author of the influential Relational Aesthetics examines the dynamics of ideology Leading theorist and art curator Nicolas Bourriaud tackles the excluded, the disposable and the nature of waste by looking to the future of art—the exform. He argues that the great theoretical battles to come will be fought in the realms of ideology, psychoanalysis and art. A “realist” theory and practice must begin by uncovering the mechanisms that create the distinctions between the productive and unproductive, product and waste, and the included and excluded. To do this we must go back to the towering theorist of ideology Louis Althusser and examine how ideology conditions political discourse in ways that normalize cultural, racial and economic practices of exclusion.
REVISTA MUNDO GAY DICIEMBRE 2020
Revista Mundo Gay es un proyecto de hace muchos años que busca Brindar Contenido de Calidad así como información que podamos usar en nuestra vida diaria para ser mejores. También buscamos tener una interacción directa con la comunidad para proporcionar lo que realmente necesitamos. Pueden escribirnos a mundogay.revista@gmail.com Buscamos que más allá de los chismes de la farándula y estereotipos, te proporcionemos información útil para ti y tu vida diaria, que te ayude a resolver los problemas que enfrentamos todos día con día. Conocernos mejor y tener una vida mucho más plena.
Romeo and Juliet
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Oscar Masotta: Theory as Action
"Oscar Masotta (Buenos Aires, 1930- Barcelona, 1979) is all but forgotten now, except perhaps in the field of Lacanian studies. This is because in the 1970s, Masotta would challenge the master psychoanalyst on his own turf, creating his own post-Lacanian school of psychoanalysisin Barcelona. But in 1965, aged just 27, Masotta taught at the University of Buenos Aires, lectured at the Di Tella, and edited a book series on communication and media. A product of the newly open post-Perón era"--Page 91.
ANA MENDIETA
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Lipstick Traces
Greil Marcus, author of Mystery Train, widely acclaimed as the best book ever written about America as seen through its music, began work on this new book out of a fascination with the Sex Pistols: that scandalous antimusical group, invented in London in 1975 and dead within two years, which sparked the emergence of the culture called punk. âeoeI am an antichrist!âe shouted singer Johnny Rottenâe"where in the world of pop music did that come from? Looking for an answer, with a high sense of the drama of the journey, Marcus takes us down the dark paths of counterhistory, a route of blasphemy, adventure, and surprise.This is no mere search for cultural antecedents. Instead, what Marcus so b...
Intellectuals, Culture and Public Policy in France
French intellectuals have always defined themselves in political terms, typically as opponents to a corrupt government—but challenging state authority is not the only way intellectuals in France have exerted political influence. Jeremy Aherne invokes a neglected dimension of French intellectuals’ practice, where instead of denouncing the worlds of government and public policy, French intellectuals become voluntarily entangled within them The book consists of a series of case studies exploring policy domains from religion and secularization to educational reform and the media. It explores the political engagement of intellectuals such as Pierre Bourdieu, Michel de Certeau, and André Malraux, and will be required reading for scholars of French political and social history.
Cultural Appropriation and the Arts
Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture) Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?” Part of the highly regarded New Directions in Aesthetics series
Handbook of Inaesthetics
This volume presents a new proposal for the link between philosophy and art. Badiou identifies and rejects the three schemes of didacticism, romanticism, and classicism that he sees as having governed traditional "aesthetics," and seeks a fourth mode of accounting for the educative value of works of art.
Creativity, Innovation and the Cultural Economy
This collection brings together international experts from different continents to examine creativity and innovation in the cultural economy. In doing so, the collection provides a unique contemporary resource for researchers and advanced students. As a whole, the collection addresses creativity and innovation in a broad organizational field of knowledge relationships and transactions. In considering key issues and debates from across this developing arena of the global knowledge economy, the collection pursues an interdisciplinary approach that encompasses Management, Geography, Economics, Sociology and Cultural Studies.
