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A challenging new look at the great thinkers whose ides have shaped our civilization From Socrates to Sartre presents a rousing and readable introduction to the lives, and times of the great philosophers. This thought-provoking book takes us from the inception of Western society in Plato’s Athens to today when the commanding power of Marxism has captured one third of the world. T. Z. Lavine, Elton Professor of Philosophy at George Washington University, makes philosophy come alive with astonishing clarity to give us a deeper, more meaningful understanding of ourselves and our times. From Socrates to Sartre discusses Western philosophers in terms of the historical and intellectual environment which influenced them, and it connects their lasting ideas to the public and private choices we face in America today. From Socrates to Sartre formed the basis of from the PBS television series of the same name.
A challenging new look at the great thinkers whose ides have shaped our civilization From Socrates to Sartre presents a rousing and readable introduction to the lives, and times of the great philosophers. This thought-provoking book takes us from the inception of Western society in Plato’s Athens to today when the commanding power of Marxism has captured one third of the world. T. Z. Lavine, Elton Professor of Philosophy at George Washington University, makes philosophy come alive with astonishing clarity to give us a deeper, more meaningful understanding of ourselves and our times. From Socrates to Sartre discusses Western philosophers in terms of the historical and intellectual environment which influenced them, and it connects their lasting ideas to the public and private choices we face in America today. From Socrates to Sartre formed the basis of from the PBS television series of the same name.
This book explores Plato's views on what an 'art of argument' should look like, investigating the relationship between psychology and rhetoric.
Typescripts, essays, and an authoritative edition of Knowing and the Known, Dewey's collaborative work with Arthur F. Bentley. In an illuminating Introduction T. Z. Lavine defines the collaboration's three goals--the "construction of a new language for behavioral inquiry," "a critique of formal logicians, in defense of Dewey's Logic, " and "a critique of logical positivism." In Dewey's words: "Largely due to Bentley, I've finally got the nerve inside of me to do what I should have done years ago." "What Is It to Be a Linguistic Sign or Name?" and "Values, Valuations, and Social Facts, ' both written in 1945, are published here for the first time.
Emily Dickinson, one of the most important American poets of the nineteenth century, remains an intriguing and fascinating writer. The Cambridge Companion to Emily Dickinson includes eleven new essays by accomplished Dickinson scholars. They cover Dickinson's biography, publication history, poetic themes and strategies, and her historical and cultural contexts. As a woman poet, Dickinson's literary persona has become incredibly resonant in the popular imagination. She has been portrayed as singular, enigmatic, and even eccentric. At the same time, Dickinson is widely acknowledged as one of the founders of American poetry, an innovative pre-modernist poet as well as a rebellious and courageous woman. This volume introduces new and practised readers to a variety of critical responses to Dickinson's poetry and life, and provides several valuable tools for students, including a chronology and suggestions for further reading.
Pointing the way toward a confessional theology for the twenty-first century, Donald G. Bloesch begins his seven-volume work, Christian Foundations, with this introduction to authority and method in theology.
Bentley wrote this book over the years 18961908 while working as a Chicago newspaper reporter and editor. He was hailed on methodological grounds as an early supporter of the "behavioral revolution," which called for the use of natural scientific methods in the social sciences and for offering a group theory of politics. Bentley's implicit critique of narrow empiricism reflects the diverse influences of Dilthey, Simmel, and Dewey.
Hugh P. McDonald's John Dewey and Environmental Philosophy breaks new ground by applying Dewey's insights to a new approach to philosophy of the environment; the concern for the rights of animals; the preservation of rare species, habitats, and landscapes; and the health of the whole ecology. The book summarizes much of the current literature on environmental ethics, concentrating on the writings of major figures in the movement: Tom Regan, J. Baird Callicott, Holmes Rolston, and Bryan Norton. The heart of the book consists of a detailed analysis of Dewey's ethics, his theory of intrinsic value, and his holistic approach to moral justification. Arguing against the idea that Dewey's philosophy is anthropocentric, McDonald makes a strong case that using Dewey's philosophy will result in a superior framework for environmental ethics.
John Dewey's Experience and Nature has been considered the fullest expression of his mature philosophy since its eagerly awaited publication in 1925. Irwin Edman wrote at that time that "with monumental care, detail and completeness, Professor Dewey has in this volume revealed the metaphysical heart that beats its unvarying alert tempo through all his writings, whatever their explicit themes." In his introduction to this volume, Sidney Hook points out that "Dewey's Experience and Nature is both the most suggestive and most difficult of his writings." The meticulously edited text published here as the first volume in the series The Later Works of John Dewey, 1925-1953 spans that entire period...
Shadow Philosophy: Plato’s Cave and Cinema is an accessible and exciting new contribution to film-philosophy, which shows that to take film seriously is also to engage with the fundamental questions of philosophy. Nathan Andersen brings Stanley Kubrick’s film A Clockwork Orange into philosophical conversation with Plato’s Republic, comparing their contributions to themes such as the nature of experience and meaning, the character of justice, the contrast between appearance and reality, the importance of art, and the impact of images. At the heart of the book is a novel account of the analogy between Plato’s allegory of the cave and cinema, developed in conjunction with a provocative ...