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This book deals with the work of twentieth-century women artists and literary authors from Portugal, Brazil and Portuguese-speaking African countries against the backdrop of political dictatorships. The essays in this volume reflect upon and challenge canonical perspectives on the arts and literature, bringing to light some of the hidden and silenced faces of Lusophone culture. By doing so, they highlight how dominant ideologies marked the artistic and literary practices of Portuguese-speaking women, and how these women in turn developed strategies of resistance through their creative work. The volume brings together contributors working in a range of disciplines, including literary criticism, the visual arts, and film studies, all of whom reflect on themes such as the reactions of women artists to authoritarianism, the representations of political repression in their work, the colonial war, and the critical revision of this historical moment by a younger generation of artists. It addresses scholars, critics, students and cultural workers with an interest in post-colonial and feminist studies in the Portuguese-speaking context.
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Annotation Papers from the February 1995 conference explore questions of the necessity of homochiral structure, the homochiral prebiotic medium hypothesis, the potential of homochirality to be used as a signature for existing or previous living systems beyond Earth, and experiments seeking to clarify the origin of homochirality. Contains sections on historical perspective, homochirality and life, models of physical chiral symmetry breaking, and future tests. For chemists, chemical physicists, and astrophysicists. No index. Annotation c. by Book News, Inc., Portland, Or.