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By the Balls
“The stories are fast with page-turning addictiveness, filled with gems of street-smart dialogue…Noir collections don’t get much better than this.”—New York Journal of Books This volume includes the two underground cult-classic novels By the Balls and Five Shots and a Funeral, along with two brand-new short stories, a new introduction, and over a dozen short essays by industry luminaries. The tales follow the exploits of Ben Drake, a detective with a passion for small cigars and big fights, a love of Old Grand-Dad, and a weakness for women in trouble. North of Las Vegas in the fictional town of Testacy City, Drake sniffs out killers, thieves, kidnappers, cock fighters, double cross...
African American Mystery Writers
The book describes the movement by African American authors from slave narratives and antebellum newspapers into fiction writing, and the subsequent developments of black genre fiction through the present. It analyzes works by modern African American mystery writers, focusing on sleuths, the social locations of crime, victims and offenders, the notion of "doing justice," and the role of African American cultural vernacular in mystery fiction. A final section focuses on readers and reading, examining African American mystery writers' access to the marketplace and the issue of the "double audience" raised by earlier writers. Instructors considering this book for use in a course may request an examination copy here.
The Perils of Uglytown
With characteristic wit, Harry Berger, Jr., brings his flair for close reading to texts and images across two millennia that illustrate what he calls “structural misanthropology.” Beginning with a novel reading of Plato, Berger emphasizes Socrates’s self-acknowledged failures. The dialogues, he shows, offer up, only to dispute, a misanthropic polis. The Athenian city-state, they worry, is founded on a social order motivated by apprehension—both the desire to take and the fear of being taken. In addition to suggesting new political and philosophical dimensions to Platonic thought, Berger’s attention to rhetorical practice offers novel ways of parsing the dialogic method itself. In the book’s second half, Berger revisits and revises his earlier accounts of Italian humanism, Elizabethan drama, and Dutch painting. Berger shows how structural misanthropology helps us to read the competitive practices that characterize Renaissance writing and art, whether in Machiavelli’s constitutional prostheses, Shakespeare’s pageants of humiliation, or the elbow jabs of Dutch portraiture.
Nebraska
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Books in Print
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Short Story Index
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