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This extensive bibliography contains 704 descriptions of the Jan Moretus editions and lists over 500 announcements that he printed for the city of Antwerp.
The Revolt in the Low Countries is one of the major conflicts of early modern Europe. Though it is mostly seen as a war between the Dutch and the Spanish, in reality it was a complex civil war with international involvement. This book returns to the original war narratives of the period, re-establishing the multi-faceted character of the conflict.
John Fine offers a major reassessment of the history of Greece from prehistoric times to the rise of Alexander. Throughout he indicates the nature of the evidence on which our present knowledge is based, masterfully explaining the problems and pitfalls in interpreting ancient accounts.
This book introduces genetic criticism as a reading strategy which investigates the origins and development of texts over time. Using case studies including Samuel Beckett and Ian McEwan, Van Hulle discusses the concrete and more abstract dimensions of this approach.
Study of Christopher Plantin's role in the production of books with engraved and etched illustrations.
Using cutting-edge theory regarding trade networks and diaspora, this book offers an innovative analysis of Sephardic merchants in 17th c. Amsterdam’s trade. Challenging views that Sephardic success stemmed from endogamous business relationships, it shows that Sephardic merchants traded with non-Sephardim.
Social cohesion is one of the declared objectives of the European Union. This book analyses the EU Social Inclusion Process, the means by which it hopes to meet this objective, and explores the challenges at local, regional, national and EU levels.
Comparative urban history examines early modern economic and cultural achievements in Antwerp, Amsterdam, and London.
This book analyzes the ways in which Amsterdam, Antwerp and Hamburg developed dual identities as 'communities of commerce' and republics.
“Truth happens to an idea.” So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of “doing and undergoing.” But what do these ideas have to do with music, or with research conducted in and through music—that is, with “artistic research”? In this collection of essays, fourteen very different authors respond with distinct and challenging perspectives. Some report on their own experiments and experiences; some offer probing analyses of noteworthy practices; some view historical continuities through the lens of pragmatism and artistic experiment. The resulting collection yields new insights into what musicians do, how they experiment, and what they experience—insights that arise not from doctrine, but from diverse voices seeking common ground in and through experimental discourse: artistic research in and of itself.