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This volume brings together scholarly theories and practices on speculative fiction from the Nordic countries, including Denmark, Finland, Iceland, Norway, and Sweden, that are all rooted in similar values, culture, and history yet are independent and unique societies. The book exhibits both the convergences and the diversity of the Nordics in fiction and fandom as well as in research. It traces the roots of Nordic speculative fiction, how it has developed over time, and how the changes in Nordic environments and societies caused by overhanging shared global issues – such as climate change, mass migration, and technological acceleration – find space in speculative practices. The first of...
Amalie Smith ignites everyday encounters into sites of revelation and metamorphosis Recently unearthed from the ground, Marble leaves her new lover in Copenhagen and travels to Athens. The city is overflowing with colour, steam and fragrance, cats cry like babies at night, the economic crisis is raging. In this volatile landscape, Marble grasps the world by exploring its immediate surfaces. Capturing specks of colour on ancient sculptures in the Acropolis Museum with an infrared camera, she simultaneously traces the pioneering sculptor Anne Marie Carl-Nielsen, who spent several months in the same place 110 years earlier. Far away from her husband and children, Carl-Nielsen showed that Archai...
“Relentlessly thrilling . . . an orgy of the unpredictable.” —New York Times Book Review “Like Thomas Pynchon taking on late capitalism. . . . surrealistic, granular in its details, and concerned with social entropy and desperate attempts at communion.” —Wall Street Journal From a major new international voice, mesmerizing, inventive fiction that probes the tender places where human longings push through the cracks of a breaking world. Under Cancún’s hard blue sky, a beach boy provides a canvas for tourists’ desires, seeing deep into the world’s underbelly. An enigmatic encounter in Copenhagen takes an IT consultant down a rabbit hole of speculation that proves more seduct...
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
The international star Sara Stridsberg returns with The Antarctica of Love, an unnamed woman's tale of her murder, her brief life, and the world that moves on after she left it They say you die three times. The first time for me was when my heart stopped beating beneath his hands by the lake, and the second was when what was left of me was lowered into the ground in front of Ivan and Raksha at Bromma Church. The third time will be the last time my name is spoken on earth. She was a neglected child, an unreliable mother, a sex worker, a drug user—and then, like so many, a nameless victim of a violent crime. But first she was a human being, a full, complicated person, and she insists that we...
THE SUNDAY TIMES BESTSELLER & THE TIMES HISTORY BOOK OF 2021 'Astonishing and compelling' Bernard Cornwell ‘Replete with witches, human sacrifice, Greek fire and funeral orgies... one of the most thrilling works of archaeological detective work I have ever read’ William Dalrymple, FT
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
'Sometimes - not often - a book comes along that feels like Christmas. Philip Hensher's timely, but timeless, selection of the best short stories from the past 20 years is that kind of book. His introduction is as enriching as anything that has been published this year' Sunday Times A spectacular treasury of the best British short stories published in the last twenty years We are living in a particularly rich period for British short stories. Despite the relative lack of places in which they can be published, the challenge the medium represents has attracted a host of remarkable, subversive, entertaining and innovative writers. Philip Hensher, following the success of his definitive Penguin Book of British Short Stories, has scoured a vast trove of material and chosen thirty great stories for this new volume of works written between 1997 and the present day.
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Each of us has something that feels essential to who we are. For Hans Frambach, it's the crimes of the Nazi era, which have hurt him for as long as he can remember. That's why he became an archivist at the Bureau of Past Management; now, though, he's wondering if he should make a change. For his best friend, Graziela, that past was also her focal point – until she met a man who desired her. From then on, sexual pleasure became the key to her life; a concept she's now beginning to doubt. Hans and Graziela thought the Nazi crimes were the inheritance that neither could bear, but can we really blame Nazism for everything? Iris Hanika shows how the crimes of the Nazi era hold the Germans in their clutches to this day, and the absurdities to which institutionalising commemoration leads.Can a country manage its past, or ought we to remain helpless in the face of the horrific crimes of the Holocaust?