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Utamaro
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Kitagawa Utamaro
This catalogue accompanies an exhibition at Ikon (September – November 2010) which is a survey of woodblock prints by Japanese artist Kitagawa Utamaro (c.1753 – 1806) from the collection of the British Museum. The exhibition focuses on images of women, in particular the courtesans of Yoshiwara, the regulated brothel district in Edo (now Tokyo). Born in the mid-1750s in Edo, Utamaro was taught by Toriyama Sekien, a painter of the academic Kano school, and subsequently formed a professional partnership with master publisher Tsutaya J?zabur?. This collaboration was key to the rise of Utamaro's reputation as a chronicler of the Yoshiwara district, and more generally, as a leading exponent of...
Utamaro Revealed
Kitagawa Utamaro is one of the most well-known figures in the history of Japanese art, renowned for his portraits of beautiful women. He is recognised as having been the leading light of the Ukiyo-e School during its golden age, and his influence upon the work of Western artists has been beyond measure. He produced in the region of 2,000 woodblock prints, approximately one third of which take their subjects from the licensed pleasure quarter of Edo, with the remainder being made up of images of popular beauties, pairs of famous lovers, historical and mythical figures, domestic scenes, and the physiognomic studies for which he is best-known. With 90 reproductions of the artist s prints, designs grouped and discussed according to subject, and with illustrations of publishers marks, artist s signatures, and the names of figures commonly inscribed upon his works, this reference guide provides the most comprehensive resource for identifying the subjects portrayed in Utamaro s prints to date."
Kitagawa Utamaro
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Utamaro and the Spectacle of Beauty
One of the most influential artists working in the genre of ukiyo-e ("pictures of the floating world") in late-eighteenth-century Japan, Kitagawa Utamaro (1753?–1806) was widely appreciated for his prints of beautiful women. In images showing courtesans, geisha, housewives, and others, Utamaro made the practice of distinguishing social types into a connoisseurial art. In 1804, at the height of his success, Utamaro, along with several colleagues, was manacled and put under house arrest for fifty days for making prints of the military ruler Toyotomi Hideyoshi enjoying the pleasures of the "floating world." The event put into stark relief the challenge that popular representation posed to pol...
Utamaro
This volume presents the work of Utamaro, the master ukiyo-e portraitist of women. It includes colour reproductions from Ten Studies of Female Physiognomy' and 'Great Love Themes of Classical Poetry'. Who was the man behind the pseudonym 'Utamaro'? We know that he was one of the greatest artists of eighteenth-century Japan, and that he was a master portraitist of women in the woodblock-print tradition known as ukiyo-e. But as for the man himself, we know almost nothing. The little there is-gleaned from contemporary books, miscellaneous writings, temple registers-is'
Utamaro
Donated: The Margaret A. Bailey Art Collection.
Kitagawa Utamaro
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
The Complete Woodblock Prints of Kitagawa Utamaro
In Reading Duncan Reading, thirteen scholars and poets examine, first, what and how the American poet Robert Duncan read and, perforce, what and how he wrote. Harold Bloom wrote of the searing anxiety of influence writers experience as they grapple with the burden of being original, but for Duncan this was another matter altogether. Indeed, according to Stephen Collis, "No other poet has so openly expressed his admiration for and gratitude toward his predecessors." Part one emphasizes Duncan's acts of reading, tracing a variety of his derivations--including Sarah Ehlers's demonstration of how Milton shaped Duncan's early poetic aspirations, Siobhán Scarry's unveiling of the many sources (in...
