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In her unique collection of the verbal language of dance practitioners and researchers, Valerie Preston-Dunlop presents a comprehensive view of people in dance: what they do, their movement, their sound, and the space in which they work - from the standpoint of the performers, choreographers, audiences, administrators, and teachers. The words and phrases of their technical and vernacular languages, which are used to communicate what is essentially a non-verbal activity, have been collected in rehearsal classes and workshops by interviews, and from published sources. In this first collection of its kind Valerie Preston-Dunlop extends her selection of verbal language to include the various social and theatrical domains of dance.
A visionary, a mystic, a lover, a leader. Rudolf Laban was all these things and more. This book tells the story of his life, a life bound up with the political, social and cultural upheavals that formed the turbulent backdrop of modern Europe.
Articulates the dynamic with which a practitioner based research has grown, is growing, and is applied, integrating the three concepts: the interaction of spectator and performer in performative dance, discussed through a dance specific (or choreological) perspective which has developed out of and beyond the seminal research of Laban.
Does a dance communicate ? What ? How ? Are all dances meaningful ? Do spectators see what a choreographer sees ? "The strands of the dance medium like locks of hair plait into one meaningful whole. The interlock is all." The interlock is what this book explores from the choreographer and performers' perspective with every genre in contemporary dance theatre in mind. Written for practical people in dance, the text is organised in 32 short chapters each addressing a question on the way in which choreographers might or might not engage with their audiences in dance theatre works. The topics include an introduction to communication theory and the way in which the interlocking network between pe...
Translations from German of articles published in Schrifttanz, late '20s and early '30s, accompanied by new editorial material.
The intertribal pow-wow is the most widespread venue for traditional Indian music and dance in North America. Heartbeat of the People is an insider's journey into the dances and music, the traditions and regalia, and the functions and significance of these vital cultural events. Tara Browner focuses on the Northern pow-wow of the northern Great Plains and Great Lakes to investigate the underlying tribal and regional frameworks that reinforce personal tribal affiliations. Interviews with dancers and her own participation in pow-wow events and community provide fascinating on-the-ground accounts and provide detail to a rare ethnomusicological analysis of Northern music and dance.
In this unique critical volume, the authors turn the semiotic spotlight on an obscure area of art: the drawings and notations choreographers use to think about the human body in motion.
The work and ideas of Rudolf Laban, dancer, choreographer and seminal theoretician of movement and dance, have had a profound impact across a range of disciplines. This book explores this impact.
'Choreutics' can be said to contain the essence of Laban's thought as well as an elaboration of the framework which he found useful for the penetration of the bewildering complexity of human movement. This he based on the unity of space and movement and he recognised a natural order in which the energy from within unfolds in space.
A visionary, a mystic, a lover, a leader. Rudolf Laban was all these things and more. This book tells the story of his life, a life bound up with the political, social and cultural upheavals that formed the turbulent backdrop of modern Europe.