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Soviet Impressionism
"Soviet art of the 1930s to 1980s is now considered the twentieth century's major realist school of painting. Yet, during its heyday, and thanks to the politics of the Cold War and the shortsightedness of western critics, the treasures of Soviet artists of the period remained hidden. Now art historians are turning the balance and addressing the presence of Soviet Impressionist paintings passing through the sale rooms of Europe and North America, and finding their way into museums in the West. These are testament to a powerful and vibrant school of art. Vern Swanson has given us a book which is not only illustrated with 176 colour plates, but also accompanied by an account of the tradition of painting for a proletarian society and how this developed into a full-blown form of Working-class Impressionism. The message was dictated by the policy-makers: the art should be readily understood and appreciated by the people, reflecting their hopes and aspirations for themselves and their efforts. The subject matter is the intimate life of the Soviet man, woman and child - at work in school, field, factory and mine, and at home and play."--BOOK JACKET.
Soviet Impressionist Painting
A completely revised and updated edition of Soviet Impressionism.
John William Godward
Plucked from oblivion, Godward serves as the last best example of 19th century Greco-Roman Classicism. Of a reclusive nature and painting in a style completely out-of-date with post-war Europe, this genius was and remained obscure. Godward's brilliance, with the recent revival of interest in his fallow Classicists, Alma-Tadema and Lord Leighton, is only now coming to light. Godward's art sought to portray peace, feminine beauty and ideal perfection in an age careening headlong into atrocity. He did so by marvelously painted and composed pictures of beautiful women in halycon classical environments. He was a niche painter whose subject, while arresting, was narrow. However, only Sir Lawrence Alma-Tadema was better at painting this genre of 'patrician women on marble benches'. Melancholia, fed by ill health and increasing artistic criticism overwhelmed his fantasy world of serenity and he died by his own hand.
Painters of Utah's Canyons and Deserts
Vividly illustrated and exhaustively researched and documented, Painters of Utah's Canyons and Deserts weaves a sweeping tapestry of artists' attempts to capture the majesty, rare beauty, and raw danger of Utah's frontier West. A COMPREHENSIVE HISTORY OF ARTISTS WHO PAINTED SOUTHERN UTAH, INCLUDING: Solomon Nunes Carvalho Frederick S. Dellenbaugh John Heber Stansfield William Keith Samuel Coleman Thomas Moran Minerva B. K. Teichert Maynard Dixon LeConte Stewart J. Roman Andrus Birger Sandzén Everett Ruess Georgia O'Keeffe Max Ernst Alfred Lambourne Henry L. A. Culmer Donald Beauregard
Utah Art, Utah Artists
Utah Art, Utah Artists surveys 150 years of the extraordinary talent and achievements of Utah artists. This overview ranges from the sublime paintings of a resourceful ranching woman to the polished work of artists trained in Paris, Rome, and New York. It highlights the rural and the cosmopolitan, the traditional and the modern, the concrete and the transcendent that encompass Utah art. This sweeping exhibition showcases 300 works of art by 220 artists painstakingly compiled from a list of 10,000 Utah artists. Selection was made in light of five considerations: quality of the work; critical acclaim and professional success of the artist; belated but deserved recognition of the artist; young ...
Establishing Zion
Establishing Zion: Preparing the Earth for the Return of Jesus Christ is a review of all the Zion societies that have been attempted and/or achieved since the Zion of Enoch. This includes the Zion of Enoch, the Zion of Melchizedek, the attempted Zion of Moses, the Zion of the early Christian Church, and the Zion achieved by the Nephites in the New World. The book then discusses the attempt in our own last days to establish a Zion society in anticipation of the Second Coming of Jesus Christ to the earth. The essential characteristics of a Zion society, such as the Law of Consecration, are described, along with a review of the efforts of the Latter-day Saints to establish such a community. Finally, the book describes the eventual triumph of Zion at Jerusalem and New Jerusalem, along with the return of Jesus Christ to rule and reign in these celestial cities. The cover features a beautiful image of the New Jerusalem descending through the clouds of glory.
Artists of Utah
From Aagard to Zwara with artists in-between, the authors have detailed the many and varied artists, photographers, sculptors, architects, and craftspeople who inhabited Utah at one time or another. ARTISTS OF UTAH brings the reader up to date on the expanding face of Utah and its native, adopted, and itinerant artists. Hardback; 150 color
Apocalypse
Apocalypse: The Great Day of the Lord for the Righteous is a positive look at the positive events of the Apocalypse. Just saying the word brings to mind the idea of mass destruction. Many think of a fiery end to life on earth or of zombies shuffling ominously through the streets. Focusing on the negative makes it an unpleasant subject. Contrary to these ideas, this book on the Apocalypse focuses on the great blessings that the righteous will receive when the Lord comes—a great and glorious day with no fear of the destruction that will simultaneously come down upon the heads of the wicked. For the wicked, it will indeed be a dreadful day, and they will call upon the mountains and rocks to h...
Echoes from Eternity: Near-Death and Afterlife Experiences
Echoes from Eternity goes beyond the bestselling book Glimpses of Eternity and enters into whole new arenas. It contains over 65 vivid, firsthand accounts of people who have died, entered the spirit world, and then come back.
