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Postmodernism is a notoriously elusive concept and still the object of critical debates among scholars across a range of different disciplines. In literature, in particular, these debates are complicated by “postmodern” styles emanating from outside the concept’s Western origins. By analyzing contemporary Hindi novels, and drawing on both Western and Hindi literary criticism, "Postmodern Traces and Recent Hindi Novels" aims to understand some of the manifestations of postmodernism in contemporary Hindi fiction, including ways the latter might challenge the traditional parameters of postmodern literature. This book is essential reading for scholars and students specializing in South Asian studies and both postcolonial and comparative literature. It will also interest the general reader curious to know more about one of the less explored areas of world literature.
Ci sono così tante cose, in Ret samadhi, come in un affresco che non si può contenere in uno sguardo. Nell’India del Nord, c’è una donna ottantenne che rifiuta la vita dopo aver perso il marito. Raggomitolata nel suo letto, aderisce al muro tanto da sembrarne una fessura. C’è il Fratello Grande, funzionario statale che festeggia la pensione con un Ultimo Pranzo dalle dimensioni epiche, e c’è il Minore, che soffre di una strana malattia: non riesce a ridere. C’è la Sorella, bandita da casa per i suoi atteggiamenti anticonvenzionali, e c’è la Nuora, rimasta a governarla. Ci sono i nipoti, e un nugolo di personaggi minori in continuo movimento intorno alla famiglia. Ci sono o...
Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent addresses literary recycling as a creative endeavour that supplements meaning through appropriating remnants of texts and transforming them into traces or echoes of their former selves within a new narrative design. It approaches recycling as a process that extends verandas of meanings and creates sites for ongoing discursive accretion of signification through the dialogic encounter between the old and the new, “the residual” and “the emergent.” Whether seen as markers of the capacity of the literary text to surprise and haunt it readers, or residues of systems of representations predicated on sel...
Silvia Evangelisti presents the story of the women who have lived in religious communities, from the dawn of the modern age onwards - their ideals and achievements, frustrations and failures, and their attempts to reach out to the society aroundthem.
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume fifteen include: Costanzo Festa's Gradus ad Parnassum; Scenes from the life of Silvia Galiarti Manni, a seventeenth-century virtuosa; Galeazzo Maria Sforza and musical patronage in Milan: Compere, Weerbeke and Josquin.
This book identifies and discusses the main challenges facing digital business innovation and the emerging trends and practices that will define its future. The book is divided into three sections covering trends in digital systems, digital management, and digital innovation. The opening chapters consider the issues associated with machine intelligence, wearable technology, digital currencies, and distributed ledgers as their relevance for business grows. Furthermore, the strategic role of data visualization and trends in digital security are extensively discussed. The subsequent section on digital management focuses on the impact of neuroscience on the management of information systems, the...