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BBC RADIO 4 BOOK OF THE WEEK 18-22nd FEBRUARY 2019 Marking the 50-year anniversary of the legendary banned song Je t'aime... moi non plus, Véronique Mortaigne's brilliantly-written book skilfully identifies the pairing of Gainsbourg and Birkin as an expression of the spirit of the age. Synonymous with love, eroticism, glamour, music, provocation, their affair would set France aflame as the sixties ebbed, and set in motion many of the ideas we have by now come to think of as specifically 'French'. Skipping back and forth in time, Je t'aime takes the reader from the foggy Normandy landscapes where Serge and Jane retreated, to their carefree summers on the coast. En route to their superstardom in films and music, we experience their intrigues, triangular relationships, and jealous rages, the genius and the self-torture. Tenderly told, via new interviews with key players in their story, Je t'aime details the coming together of two massive personalities, who together created a model of the rebel couple for the ages.
This book is a guide to identifying female creators and artistic movements from all parts of Asia, offering a broad spectrum of media and presentation representing a wide variety of milieus, regions, peoples and genres. Arranged chronologically by artist birth date, entries date as far back as Leizu's Chinese sericulture in 2700 BCE and continue all the way to the March 2021 mural exhibition by Malaysian painter Caryn Koh. Entries feature biographical information, cultural context and a survey of notable works. Covering creators known for prophecy, dance, epic and oratory, the compendium includes obscure artists and more familiar names, like biblical war poet Deborah, Judaean dancer Salome, Byzantine Empress Theodora and Myanmar freedom fighter Aung San Suu Kyi. In an effort to relieve unfamiliarity with parts of the world poorly represented in art history, this book focuses on Asian women often passed over in global art surveys.
We are surrounded by new musical encounters today as never before, and the experience of musics from elsewhere is progressively affecting all arenas of the human conscience. Yet why is it that Western listeners expect a certain cultural and ethnic 'authenticity' or 'otherness' from visiting artists in world music, while contemporary musicians in Western music are no longer bound by such restraints? Should we feel uncomfortable when sacred rites from Asia or Africa are remade for Westerners as musical entertainment? As these thorny questions suggest, the great flood of world musics and of their agents into our most immediate cultural environment is not a simple matter of expanding global musi...
This important volume rethinks the conventional parameters of Middle East studies through attention to popular cultural forms, producers, and communities of consumers. The volume has a broad historical scope, ranging from the late Ottoman period to the second Palestinian uprising, with a focus on cultural forms and processes in Israel, Palestine, and the refugee camps of the Arab Middle East. The contributors consider how Palestinian and Israeli popular culture influences and is influenced by political, economic, social, and historical processes in the region. At the same time, they follow the circulation of Palestinian and Israeli cultural commodities and imaginations across borders and che...
In recent years, Europe has had to constantly rethink and redefine its attitude toward new flows of immigrations. Issues of boundaries and identity have been integral to this reflection. Through a magnificent collection of essays, Migrant Cartographies examines both sites and conflicts and the way in which forms of belonging and identity have been reinvented. With careful analysis and exceptional insight, this volume explores the most recent literature on migration as seen from different European viewpoints. This book fills a conspicuous void in migration literature, as there are no comprehensive books on migrant literatures in Europe that address the full range of complexities of colonial legacies and linguistic productions.
This textbook provides a comprehensive and structured vocabulary for all levels of undergraduate French courses, including relevant higher and further education courses. It offers a broad coverage of concrete and abstract vocabulary relating to the physical, cultural, social, commercial and political environment, as well as exposure to commonly encountered technical terminology. Within each section, words and phrases have been grouped into manageable, assimilable units and broadly 'graded' according to likely usefulness and difficulty. The accompanying exercises for private study and classroom use are designed to reinforce the work done on lists, to develop good dictionary use, to encourage independent and collaborative learning, to promote precision and awareness of nuance and register, and to offer the opportunity for the development of cognate transferable skills, such as communicative competence, teamwork and problem-solving. The division of the book into twenty thematic sections allows it to be easily integrated into a modular course structure.
In celebration of his unique talent and in commemoration of the twenty-fifth anniversary of his death, this is the first book-length study in English of the work of Belgian chansonnier Jacques Brel. This study is of great use to anyone interested in 20th century popular European culture, and required reading for all those exploring the rich and vibrant world of chanson.
Popular music in the Americas, from jazz, Cuban and Latin salsa to disco and rap, is overwhelmingly neo-African. Created in the midst of war and military invasion, and filtered through a Western worldview, these musical forms are completely modern in their sensibilities: they are in fact the very sound of modern life. But the African religious philosophy at their core involved a longing for earlier eras-ones that pre-dated the technological discipline of labor forced on captive populations by the European occupiers. In this groundbreaking new book, Timothy Brennan shows how the popular music of the Americas-the music of entertainment, nightlife, and leisure-is involved in a devotion to an African religious worldview that survived the ravages of slavery and found its way into the rituals of everyday listening. In doing so he explores the challenge posed by Afro-Latin music to a world music system dominated by a few wealthy countries and the processes by which Afro-Latin music has been absorbed into the imperial imagination.
Situates the cultures of Portuguese-speaking Africa within the postcolonial, global era.
Claude Lévi-Strauss, the 'father of modern anthropology' and author of the classic Tristes tropiques, was one of the most influential intellectuals of the second half of the twentieth century. Dislodging Sartre, Camus and de Beauvoir from the pinnacle of French intellectual life in the 1950s, he brought about a sea change in Western thought and inspired a generation of thinkers and writers, including Michel Foucault, Roland Barthes and Jacques Lacan with his structuralist theories. Lévi-Strauss's bohemian childhood and later studies of the emerging discipline of anthropology in the field and the university led him to mix with intellectuals, artists and poets from all over Europe. Tracing the evolution of his ideas through interviews with the man himself, research into his archives and conversations with contemporary anthropologists, Wilcken explores and explains Lévi-Strauss's theories, revealing an artiste manqué who infused his academic writing with an artistic and poetic sensibility.