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Victor tells the story of a young man in German occupied Belgium, who became a Jesuit priest, and managed to sneak out of war torn Europe to escape to the United States, where he taught at Loyola University, and lectured throughout the south. Father Dossogne was a regular on a New Orleans radio talk show, and was quite athletic in his youth. Later he taught at Trinidad State College until his vision failed. Victor shows how many obstacles in life can be overcome through perseverance and sheer determination.
March 2001 (cloth 1981)192 pages, 6 1/8 x 9 1/4 paper 0-253-21456-4 $19.95 s
"This is a long overdue and brilliant contribution to our understanding of the intellectual migration from Europe. The essays in this volume illuminate in new ways the experiences of musicians and scholars who fled Europe."—Leon Botstein, Music Director, American Symphony Orchestra "With a sweep and coherence very rare in essay collections, this volume immediately takes its place as one of the most important publications on twentieth-century music. The range of source materials is dazzling: anecdotes, letters, memoirs, interviews, newspaper articles, musical scores, films, and archival documents. Handled with deft scholarship, they add up to a balanced yet deeply moving account of how figures of exile experienced and transformed American culture."—Walter Frisch, author of The Early Works of Arnold Schoenberg
Now in paperback! Music for More than One Piano An Annotated Guide Maurice Hinson When one piano is simply not enough. "Maurice Hinson's [Music for More than One Piano] ought not only to stand in the bookshelf for reference, but as a true dictionary in the best sense, it should mainly be read for pleasure and enlightenment." -- Konrad Wolff In an alphabetic listing by composer, this guide describes works for two or more keyboard instruments composed mainly since 1700. The range of combinations is considerable: works for two, three, four, or more pianos; for two or more pianos with other instruments, voice, or tape; for piano and harpsichord; for two player pianos; and for two pianos tuned a ...
Forced to provide for his family from the age of 8 and thrown out of his home into a bitter Moscow winter at age 12, cellist Gregor Piatigorsky began his career as an archetypal struggling artist, using secondhand and borrowed instruments. When the October Revolution forced his escape to Warsaw, he enjoyed initial success with the Warsaw Philharmonic. Relocating to Berlin a few months later, he again struggled in poverty before eventually emerging as solo cellist with the Berlin Philharmonic. Settling in the United States during World II, Piatigorsky continued a brilliant career that cemented his place as one of the twentieth century's greatest musicians. This all-embracing chronicle of Piatigorsky's tempestuous life and career finally reveals the full life story of a musical legend.
The interviews collected in this book preserve the old Santa Fe, the one people are still looking for. The interviewees represent a cross-section of Santa Fe during the best of times: native Santa Feans, both Spanish American and Anglo, artists, immigrants, those who came by accident, those who came intending to stay, those who fought to preserve the older cultures' traditions and values.
This book is a collection of the latest research findings in such areas as networked multi-agent systems, co-design of communication and control, distributed control strategies that can cope with asynchrony between local loops, event-triggered control, modelling of network infrastructure, novel concepts of distributed control for networked and cyber-physical systems. The book contains the result of the latest research in the field of communication and control system design to support networked control systems with stringent real-time requirements. It introduces readers to research in the field of joint design of the control and communication protocol and presents the latest developments in t...
"A lively, polished, and succinct writer and scholar of the first rank, Kenneth Morgan has filled a critical gap left by Reiner's previous biographer, focusing as he does on Fritz Reiner's musicianship."