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In this book, Victoria Lorrimar explores anthropologies of co-creation as a theological response to the questions posed by technologically enhanced humans, a prospect that is disturbing to some, but compelling for many. The centrality the imagination for moral reasoning, attested in recent scholarship on the imagination, offers a fruitful starting point for a theological engagement with these envisioned technological futures. Lorrimar approaches the topic under the purview of a doctrine of creation that affirms a relationship between human and divine creativity. Traditionally, theological treatments of creativity have been almost exclusively applied to artistic endeavours. Here, Lorrimar breaks new ground by extending such theological accounts to include technology, and uniting them with the strengths of scientific accounts of co-creation. She draws on metaphor studies, cognitive sciences, as well as literary studies, to develop an account of human creativity in relation to divine creativity, which is then applied to various enhancement scenarios.
A cross-disciplinary theological engagement with proposals for the technological enhancement of humans, including radical life extension, mind-uploading, mood enhancement and moral enhancement. This work draws on metaphor studies, cognitive sciences, and literary studies to develop an account of human creativity in relation to divine creativity.
Original Sin and the Evolution of Sexual Difference develops an interdisciplinary conversation between evolutionary biology, feminist philosophy, and theology in order to illuminate the entanglement of Christian thinking about original sin with theologies of sexual difference. It then assesses the opportunities for rethinking original sin and its implications for theologies of sexual difference in light of developments in evolutionary biology and feminist theology and philosophy. Despite some resistances in the present age to conceptions of both original sin and meaningful sexual differences, this study argues that both can provide essential insights that help to make sense of some of the fe...
After the birth of the Protestant ecumenical movement in the late nineteenth and early twentieth centuries, and following the first great wave of universal Christian ecumenism in the 1960s and 1970s after the Second Vatican Council, prominent theologians of nearly every ecclesial tradition charted new territory in the last decades of the twentieth century. They crossed boundaries within their own ecclesial traditions and built bridges to other Christian churches--churches that were once excluded from fellowship. In the development of these new programs of ecumenical theology, the theologians redefined their own confessional identities and, in many cases, crossed the liberal-conservative divi...
A ground-breaking volume of innovative conversations between science and religion which move beyond hackneyed positions of either conflict or dialogue.
The Poetry and Music of Science examines aspects of science and art that bear close comparison - for example the art of the novel and the art of scientific experimentation. The book eavesdrops on conversations between scientists on how new theories arise, and listens to artists' and composers' witness of their own creative processes.
Churches are filled with human beings. It is as a community of human creatures that the church gathers together on Sunday mornings to worship the triune God, and it is as a community of creatures that its members participate in the church's liturgical life. However, merely noting that the church and human beings are related to one another leaves the nature of this relationship unresolved and undefined. And this raises an important question: How should the doctrine of the church inform our understanding of what it means to be human? This project is an exercise in ecclesio-anthropology, albeit from a Free Church perspective. In it Daniel Lee Hill seeks to discover how the nature, practices, mission, and telos of the church robustly inform our understanding of the human creature.
AI is becoming ubiquitous. Whatever its arrival portends for our future, whether riches or ruin, it cannot be avoided. The Artifice of Intelligence explores two questions at the heart of a theological response to AI. Is it possible for human beings to have authentic relationships with an AI? How does the increasing presence of AI change the way humans relate to one another? In pursuing answers to these questions, Herzfeld explores what it means to be created in the image of God and to create AI in our own image. It utilizes and expands Karl Barth's relational understanding of the imago Dei to examine humanity's relationship both with AI and, through it, with one another. Barth's injunctions--look the other in the eye (embodiment), speak to and hear the other (communication), aid the other (agency), and do it gladly (emotion)--provide the basis for the main chapters, each of which concludes with a case study of a current AI application that exemplifies the difficulties AI introduces into human relationality. The Artifice of Intelligence concludes with an examination of the incarnation, one that points toward the centrality of embodiment for full relationality.
Human Flourishing in a Technological World addresses the question of human identity and flourishing in the light of recent technological advances. The chapters in Part I provide a philosophical-theological evaluation of changing major anthropological assumptions that have guided human self-understanding from antiquity to modernity: How did we move from a religious and mostly embodied anthropology of the person to the idea that we can upload human consciousness to computing platforms? How did we come to imagine that machines can actually be intelligent, or even learn in human fashion? Moreover, what metaphysical changes explain our mostly uncritical embrace of a technological determination of...
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