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Paula Rego
None
Alice Neel: Uptown
Known for her portraits of family, friends, writers, poets, artists, students, singers, salesmen, activists, and more, Alice Neel created forthright, intimate, and, at times, humorous paintings that quietly engaged with political and social issues. In Alice Neel, Uptown, writer and curator Hilton Als brings together a body of paintings and works on paper of African-Americans, Latinos, Asians, and other people of color for the first time. Highlighting the innate diversity of Neel’s approach, the selection looks at those whose portraits are often left out of the art-historical canon and how this extraordinary painter captured them; “what fascinated her was the breadth of humanity that she ...
Yayoi Kusama
Akira Tatehata
Forces in Nature
Forces in Nature has been published to accompany an exhibition curated by celebrated US critic and author Hilton Als for Victoria Miro, London.The exhibition explores ideas of man in nature and includes works by Njideka Akunyili Crosby, Verne Dawson, Peter Doig, NS Harsha, Alice Neel, Chris Ofili, Celia Paul, Tal R, Sarah Sze, Kara Walker, and Francesca Woodman.Artists have long sought to represent man's insoluble relationship to the natural world. Forces in Nature questions the male form and its absence in paintings, photographs, drawings, film and installation.Does nature mean more to us when seen alongside the human form? Or do we understand a landscape or seascape more acutely when the form is absent? And how much of our understanding of nature is filtered through experiences of the modern world? Forces in Nature is not only a celebration of these questions but an examination of them.
Fallen Fruit from Frisland
Victoria Miro is pleased to announce the gallery's third exhibition by the Danish artist John Korner. Fallen Fruit from Frisland comprises a series of new paintings presented as part of an installation that features a carpeted floor, rising wave-like against one wall, and a simple wooden boat made by the artist's great-grandfather. The exhibition title refers to Frisia, a coastal area that extends across the Netherlands and Germany to the Danish border. Until the construction of canals during the 1920s and 1930s, this low-lying district, also known as Friesland, Fryslan and Frisland, was flooded for much of the year. In this mutable landscape locals."
No Such Thing as One
Victoria Miro Gallery is delighted to present an exhibition of new sculptures by the British artist Conrad Shawcross. Conceived especially for the gallery spaces No Such Thing As One brings together a body of work that explores ideas concerning time and the essence of matter. No Such Thing As One, an artist's book accompanies the exhibition. It includes a conversation between the artist and writer Brooke Lynn McGowan.
Infinity Net: The Autobiography of Yayoi Kusama
I am deeply terrified by the obsessions crawling over my body, whether they come from within me or from outside. I fluctuate between feelings of reality and unreality. I, myself, delight in my obsessions.'Yayoi Kusama is one of the most significant contemporary artists at work today. This engaging autobiography tells the story of her life and extraordinary career in her own words, revealing her as a fascinating figure and maverick artist who channels her obsessive neuroses into an art that transcends cultural barriers. Kusama describes the decade she spent in New York, first as a poverty stricken artist and later as the doyenne of an alternative counter-cultural scene. She provides a frank a...
Kara Walker
Go to Hell or Atlanta, Whichever Comes First is a special printed project created by the celebrated American artist Kara Walker in collaboration with Ari Marcopoulos.The project, which comprises a twenty-four-page booklet with an accordion cover, was produced to accompany Walker's first exhibition at Victoria Miro, London, in autumn 2015.The project documents a trip by the artist and Marcopoulos to Stone Mountain in Georgia. The main tourist attraction there is a large stone mountain into which has been carved a monument to three Confederate generals.Consecrated in the 1970s, the monument, and hence the mountain itself, is thus a contentious symbol of white supremacy and the struggle for race equality in the South and beyond.Featuring a newly commissioned text from James Hannaham and a conversation between Walker and Marcopoulos, the project presents photographic documentation along with a selection of the powerful drawings and paintings produced by Walker during and following her trip.
Self-Portrait
'Painfully honest on what it means to be a woman who puts art first, no matter what' Olivia Laing I'm not a portrait painter. If I'm anything, I have always been an autobiographer. In Self-Portrait, Celia Paul reveals a life truly lived through art. She moves effortlessly through time, in words and images, from her arrival at the Slade School of Fine Art at sixteen, through a profound and intense affair with the older and better-known artist Lucian Freud, to the practices of her present-day studio. This intimate memoir is, at its heart, about a young woman navigating the path to artistic freedom, with all the sacrifices and complications that entails. 'Powerful' Zadie Smith 'Engrossing' Vogue 'Captivating... Mesmerising' New York Times **Shortlisted for the Slightly Foxed Best First Biography Prize **
