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Since its dedication in 1982, the Vietnam Veterans Memorial has become an American cultural icon symbolizing the war in Vietnam--the defining experience of the Baby Boom generation. The black granite wall of names is one of the most familiar media images associated with the war, and after three decades the memorial remains one of the nation's most visited monuments. While the memorial has enjoyed broad acceptance by the American public, its origins were both humble and contentious. A grassroots effort launched by veterans with no funds, the project was completed in three and a half years. But an emotional debate about aesthetics and the interpretation of heroism, patriotism and history nearly doomed the project. Written from an insider's perspective, this book tells the complete story of the memorial's creation amid Washington politics, a nationwide design competition and the heated controversy over the winning design and its creator.
A great white angel spreading her wings across the Moreno Valley: this is how one visitor described the memorial standing atop a windswept prominence in the Sangre de Cristo Mountains near Taos, New Mexico. A de-facto national Vietnam veterans memorial, built by one family more than a decade before the Wall in Washington, DC, and without aid or recognition from the US government, the chapel at Angel Fire is a testament to one young American’s sacrifice—but also to the profound determination of his family to find meaning in their loss. In The Vietnam Veterans Memorial at Angel Fire, Steven Trout tells the story of Marine Lieutenant David Westphall, who was killed near Con Thien on May 22,...
Renowned artist and architect Maya Lin's visual and verbal sketchbook—a unique view into her artwork and philosophy. Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these...
A Distinguished and Bestselling Historian and Army Veteran Revisits the Culture War that Raged around the Selection of Maya Lin's Design for the Vietnam Memorial A Rift in the Earth tells the remarkable story of the ferocious “art war” that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level. At its center are two enduring figures: Maya Lin, a young, Asian-American architecture student at Yale whose abstr...
In 1983, when Evans came up with the vision for the first-ever memorial on the National Mall to honor women who’d worn a military uniform, she wouldn’t be deterred. She remembered not only her sister veterans, but also the hundreds of young wounded men she had cared for, as she expressed during a Congressional hearing in Washington, D.C.: “Women didn’t have to enter military service, but we stepped up to serve believing we belonged with our brothers-in-arms and now we belong with them at the Vietnam Veterans Memorial. If they belong there, we belong there. We were there for them then. We mattered.” In the end, those wounded soldiers who had survived proved to be there for their sisters-in-arms, joining their fight for honor in Evans’ journey of combating unforeseen bureaucratic obstacles and facing mean-spirited opposition. Her impassioned story of serving in Vietnam is a crucial backstory to her fight to honor the women she served beside. She details the gritty and high-intensity experience of being a nurse in the midst of combat and becomes an unlikely hero who ultimately serves her country again as a formidable force in her daunting quest for honor and justice.
War is hell, and the return to civilian life afterwards can be a minefield as well, especially for veterans of a “bad war.” Soldiers coming home from Vietnam faced unique challenges as veterans of a controversial war whose divisiveness permeated every step of the re-entry and readjustment process. In his balanced and highly readable account, Vietnam Veterans since the War, sociologist Wilbur J. Scott tells the story of how the veterans and their allies organized to articulate their concerns and to win concessions from a reluctant Congress, federal agencies, and courts. Scott draws on published records, hours of personal interviews with veterans, and his experience as an infantry platoon ...
Since its creation in 1982, the Vietnam Veterans Memorial has become the most visited National Park Services site. Each year, 4.5 million people come to the Wall. Many of them leave letters or other special objects. Every night, park rangers collect and inventory these mementos—now numbering well over 90,000—and put them into government storage. Michael Sofarelli, the son of a Vietnam War veteran, has combed through the archives searching for the most gripping letters and objects: a mother awaiting word of her missing son, a former comrade recounting a battle story, a pair of well-worn ballet slippers, and a collection of cigars. These items are not only a tribute to the fallen soldiers; they pay tribute as well to the families and friends who waited at home and the comrades who have never forgotten their brothers. They tell the story of a war that is still being fought by many who served and a conflict that changed the lives of many Americans forever.
Shows artifacts left at the memorial, including medals, letters, crosses, combat paraphernalia, and flags
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