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Our oldest stories are about conflict. This collection draws together discussions of violence in storytelling from a number of perspectives. Historical contexts range from ancient Greece to postcolonial Africa to the American West, and topics considered include the role of the witness, how place affects our understanding of conflict, the aestheticization of violence, how trauma is written on the body, and contemporary war stories.
Victorian novels, Garrett Stewart argues, hurtle forward in prose as violent as the brutal human existence they chronicle. In Novel Violence, he explains how such language assaults the norms of written expression and how, in doing so, it counteracts the narratives it simultaneously propels. Immersing himself in the troubling plots of Charles Dickens, Anne Brontë, George Eliot, and Thomas Hardy, Stewart uses his brilliant new method of narratography to trace the microplots of language as they unfold syllable by syllable. By pinpointing where these linguistic narratives collide with the stories that give them context, he makes a powerful case for the centrality of verbal conflict to the exper...
This Handbook brings together essays from an impressive group of well-established and emerging scholars from all around the world, to show the many different types of violence that have plagued Latin America since the pre-Colombian era, and how each has been seen and characterized in literature and other cultural mediums ever since. This ambitious collection analyzes texts from some of the region's most tumultuous time periods, beginning with early violence that was predominately tribal and ideological in nature; to colonial and decolonial violence between colonizers and the native population; through to the political violence we have seen in the postmodern period, marked by dictatorship, guerrilla warfare, neoliberalism, as well as representations of violence caused by drug trafficking and migration. The volume provides readers with literary examples from across the centuries, showing not only how widespread the violence has been, but crucially how it has shaped the region and evolved over time.
Zizek argues that the physical violence we see is often generated by the systemic violence that sustains our political and economic systems. With the help of eminent philosophers like Marx, Engel and Lacan, as well as frequent references to popular culture, he examines the real causes of violent outbreaks like those seen in Israel and Palestine and in terrorist acts around the world. Ultimately, he warns, doing nothing is often the most violent course of action we can take.
Love is like an avalanche. It hits hard, fast and without mercy. At least it did for me when Sculpt, the lead singer of the rock band Tear Asunder knocked me off my feet. Literally, because he's also a fighter, illegally of course, and he taught me how to fight. He also taught me how to love and I fell hard for him. I mean the guy could do sweet, when he wasn't doing bossy, and I like sweet. Then it all shattered. Kidnapped. Starved. Beaten. I was alone and fighting to survive. When I heard Sculpt's voice, I thought he was there to save me. I was wrong. *Warning: This book contains some disturbing situations, strong language and sexual content. Over 18 years.
NOW WITH BONUS SCENE! To take back life, one must first face death . . . Conditioned in captivity to maim and kill, prisoner 818 becomes an unstoppable fighter in the ring. Violence is all he knows. Death and brutality are the masters of his fate. After years of incarceration in an underground hell, only one thought occupies his mind: revenge. Revenge on the man who wronged him, condemned him and turned him into this: a rage-fueled killing machine. Kisa Volkova, daughter of the head of New York's Russian bratva, lives a protected but unhappy life. As manager of The Dungeon, her father's underground fighting and gambling syndicate in Brooklyn, grief and pain fill her days. As well as her domi...
Through an exploration of the cultural processes that perpetuate the darker side of Latin America for global consumption, this book investigates the "condition" that has led writers, filmmakers, and artists to embrace (purposefully or not) the incessant violence in Colombian society as the object of their own creative endeavors.
In this first full-length English-language translation of the work of Helena Boberg, we are powerfully confronted with what she has called "a creative testimony that points out patterns of injustice, sexism, and violence" in the society we inhabit. A book-length poem, Sense Violence hinges on the dichotomy of a masculine will to power and a call to action for a feminine collective to confront it on all corners--from mythologies to cultural tropes and ingrained hierarchies. Translated by Johannes Göransson, the English edition faithfully captures Boberg's wordplay and linguistic richness bringing this urgent and uniquely-voiced work to a new audience.
First published in 1989, this collection of essays brings into focus the history of a specific form of violence – that of representation. The contributors identify representations of self and other that empower a particular class, gender, nation, or race, constructing a history of the west as the history of changing modes of subjugation. The essays bring together a wide range of literary and historical work to show how writing became an increasingly important mode of domination during the modern period as ruling ideas became a form of violence in their own right. This reissue will be of particular value to literature students with an interest in the concept of violence, and the boundaries and capacity of discourse.
Stories of violence — such as the account in Genesis of Cain’s jealousy and murder of Abel — have been with us since the time of the earliest recorded texts. Undeniably, the scourge of violence fascinates, confounds, and saddens. What are its uses in literature — its appeal, forms, and consequences? Anchored by Alice Kaplan’s substantial contribution, the thirteen articles in this volume cover diverse epochs, lands, and motives. One scholar ponders whether accounts of Huguenot martyrdom in the sixteenth-century might suggest more pride than piety. Another assesses the real versus the true with respect to a rape scene in The Heptameron. Female violence in fairy tales by Madame d’A...