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  • Language: en
  • Pages: 786

"De Sens Rassis"

  • Type: Book
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  • Published: 2005
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  • Publisher: Rodopi

These articles are mainly concerned with medieval French literature, particularly those areas in which the honorand of the volume, Rupert T. Pickens, has distinguished himself: Old French Arthurian romance, Marie de France, chanson de geste, later poetry (including Villon), and the Occitan troubadour lyric. Among the contributors are some of the most significant scholars from the U.S.A., Canada, France, Switzerland, and the U.K. working in Old French studies today. The volume will be of interest to specialists in Old French, Occitan, and medieval literature generally. Some of the articles deal with relatively unknown works, and all are informed by current developments in medieval literary studies

Understanding French Poetry
  • Language: en
  • Pages: 324

Understanding French Poetry

None

The Art of Meditation and the French Renaissance Love Lyric
  • Language: en
  • Pages: 697

The Art of Meditation and the French Renaissance Love Lyric

The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love. At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution.

The Shaping of Text
  • Language: en
  • Pages: 178

The Shaping of Text

"The Shaping of Text pays homage to the work of the late John Porter Houston, who wrote extensively on style, rhetoric, and narrative and poetic techniques in Western European literature. It is appropriate that the essays in this volume focus on the form of the literary work and the ways in which form determines meaning." "William Calin's essay on the saint's life analyzes the use of antithesis as a poetic and structural device that illustrates the saint's fundamental understanding of the relationship between the ephemeral reality of his physical existence and the absolute, timeless reality to which he aspires. Raymond LaCharite's study of Rabelais focuses on the author's self-conscious awar...

Nineteenth-century French Studies
  • Language: en
  • Pages: 666

Nineteenth-century French Studies

  • Type: Book
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  • Published: 1993
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  • Publisher: Unknown

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Maryland and Virginia Medical Journal
  • Language: en
  • Pages: 520

Maryland and Virginia Medical Journal

  • Type: Book
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  • Published: 1859
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  • Publisher: Unknown

None

A Cinematic Artist
  • Language: en
  • Pages: 350

A Cinematic Artist

  • Type: Book
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  • Published: 2009
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  • Publisher: Peter Lang

The American artist Man Ray was one of the most influential figures of the historical avant-garde, contributing significantly to the development of both Dadaism and Surrealism. Whilst his pioneering work in photography assured him international acclaim, his activity in other areas, notably film, is to this day both unknown and undervalued. During the 1920s Man Ray made four short experimental films and collaborated on a host of other projects with people such as Marcel Duchamp, Fernand Léger, René Clair and Hans Richter. These works, along with a series of cinematic essays and home movies made during the 1920s and 1930s, represent the most important contribution to the development of an al...

Idle Pursuits
  • Language: en
  • Pages: 244

Idle Pursuits

"Throughout this study, idleness is shown to be a key element of self-presentation beginning with the figure of the idle aristocrat. The extravagant display of a life of leisure made Gilles de Rais the icon of aristocratic idleness. But even the hardworking humanist was anxious to assume a studied posture of idleness. If both figures were eager to display idleness, it was because oisivete was an important source of what modern theorists have termed symbolic capital. Finally, the Renaissance also saw the birth of a new figure of the "idler": the consumer of leisure. For it was leisure itself along with chivalric and amorous adventure that was consumed by the readers of the popular Amadis series. At once a commodity and form of capital, idleness (otium) clearly belonged to the realm of social exchanges ostensibly reserved for affairs (negotium)."--BOOK JACKET.

The Work of Literary Translation
  • Language: en
  • Pages: 299

The Work of Literary Translation

  • Type: Book
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  • Published: 2018-06-07
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  • Publisher: Unknown

Explores a literary translation dedicated more to the reader's perception and experience of text than to textual interpretation.

Architectures of Poetry
  • Language: en
  • Pages: 143

Architectures of Poetry

  • Type: Book
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  • Published: 2021-09-06
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  • Publisher: BRILL

Architectures of Poetry is the first comprehensive accounting of the currently intense dialogue between the sister arts of poetry and architecture. Refusing to take either term in a metaphoric sense, the eleven essays collected in this volume exemplify an exciting methodological direction for work in the humanities: a literal wager that is willing to take the unintended suggestions of language as reality. At the same time, they also provide close readings of the work of a number of important writers. In addition to a suite of essays devoted to the team of Arakawa and Madeline Gins, chapters focus on figures as diverse as Francesco Borromini, Rainer Maria Rilke, Stéphane Mallarmé, Friedrich Achleitner, John Cage and Lyn Hejinian.