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Spoken Image
Language has always been central to the meaning and exploitation of photographic images. However, the various types and "styles" of language associated with different photographic genres have been largely overlooked. This book considers the nature of photography, examining the language used in titles, captions and commentaries, particularly as they relate to documentary photography, photojournalism and fashion photography. The Spoken Image addresses the question of how the photograph communicates its message, with or without the aid of language. The book looks at the work of film-makers such as Antonioni and Greenaway to contrast filmic methods of narration with those of photography. Scott concludes that photography has arrived at a level of communicative sophistication equal to that of modern textual narratives, in conjunction with which it often works.
Literary Translation and the Rediscovery of Reading
A new departure in translation theory, focusing on translation and the reader's experience.
The Work of Literary Translation
Explores a literary translation dedicated more to the reader's perception and experience of text than to textual interpretation.
Translating the Perception of Text
Translation often proceeds as if languages already existed, as if the task of the translator were to make an appropriate selection from available resources. Clive Scott challenges this tacit assumption. If the translator is to do justice to himself/herself as a reader, if the translator is to become the creative writer of his/her reading, then the language of translation must be equal to the translators perceptual experience of, and bodily responses to, source texts. Each renewal of perceptual and physiological contact with a text involves a renewal of the ways we think language and use our expressive faculties (listening, speaking, writing). Phenomenology and particularly the phenomenology of Merleau-Ponty underpins this new approach to translation. The task of the translator is tirelessly to develop new translational languages, ever to move beyond the bilingual into the multilingual, and always to remember that language is as much an active instrument of perception as an object of perception. Clive Scott is Professor Emeritus of European Literature at the University of East Anglia, and a Fellow of the British Academy.
The Thief
The Thief is Clive Cussler's fifth historical thriller featuring detective Isaac Bell. A bold kidnapping aboard an ocean liner sends detective Isaac Bell across America in a deadly game of cat and mouse . . . Leaving England aboard the liner Mauretania, Isaac Bell, chief investigator at the legendary Van Dorn Detective Agency, stumbles on and thwarts a kidnapping. The two victims, who have fled Europe carrying a secret invention, fear that a foreign power wishes to steal it before they can bring it to America. Bell and the Van Dorn Agency offer to protect them. And it isn't long before Bell is fighting skullduggery in the middle of the Atlantic. In New York City, as well as across the countr...
Street Photography
Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with pa...
Channel Crossings
"Scott's subtle and adventurous analysis breaks new ground in textual understanding, while his translations radically challenge established orthodoxies. As he crosses back and forth between French and English poetry, he has illuminating encounters with a wide range of poets, from Labe and Shakespeare to Auden and Jaccottet. The embodiment of gender in the sonnet; the performance of the dramatic voice; the inflexions of the self in the voice of lyric verse; the 'landscaping' of nature in the line of verse; the interventions of the translator in the peculiar lives of the prose poem and free verse; the tasks of the translator and the comparatist in a new age - these are some of the issues addre...
Following the Wrong God Home
Clive Scott Chisholm wryly describes himself as a ?fugitive from the American Dream.? A displaced Canadian and a legally ?registered alien,? Chisholm set out from his home in upstate New York in 1985 to discover the origins of that dream. In Following the Wrong God Home, he recounts his personal odyssey, describing the people he encountered and the unforgettable stories they told. Chisholm?s solo journey on foot from the Missouri River to Salt Lake City retraced the 1,100-mile trek of nineteenth-century Mormon pioneers. In this account, he juxtaposes that Mormon search for the dream of ?community? against the modern search for the American dream of ?individuality,? muses over how much and how little things have changed in the century-and-a-half since 1847, and creates a narrative informed by the American dreamers he came across from Omaha to Salt Lake City.
The Spy
Isaac Bell is on the hunt for the killer of some of America's finest minds ... 1908. When a brilliant American battleship gun designer kills himself, his grief-stricken daughter is deeply suspicious. She turns to the legendary Van Dorn Detective Agency where chief investigator Isaac Bell finds clues that indicate murder. Uncovering more suspicious deaths, Bell realises that someone - an elusive spy - is orchestrating the destruction of America's brightest technological minds. And the murders all connect to a top-secret project known as Hull 44. As Bell gets closer to the truth and the spy himself he is pitted against German, Japanese, and British agents. More than the future of his country is at stake - it's the fate of the world.
Journal of Critical Studies in Language and Literature Vol. 2, No. 2 (2021)
Journal of Critical Studies in Language and Literature (JCSLL) is a bimonthly double-blind peer-reviewed "Premier" open access journal that represents an interdisciplinary and critical forum for analysing and discussing the various dimensions in the interplay between language, literature, and translation. It locates at the intersection of disciplines including linguistics, discourse studies, stylistic analysis, linguistic analysis of literature, comparative literature, literary criticism, translation studies, literary translation and related areas. It focuses mainly on the empirically and critically founded research on the role of language, literature, and translation in all social processes and dynamics. Articles submitted to JCSLL should bring together critical theories and concepts and in-depth, empirical, language- and literary-oriented analysis. They have to be problem-oriented and rely on well-informed contemporary as well as historical contextualisation of the analysed texts and contexts. Methodologies can be qualitative, quantitative or mixed, but must in any case be systematic and anchored in relevant linguistic, literary, and translation disciplines.
