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"The Voice of Egypt"
Umm Kulthum, the "voice of Egypt," was the most celebrated musical performer of the century in the Arab world. More than twenty years after her death, her devoted audience, drawn from all strata of Arab society, still numbers in the millions. Thanks to her skillful and pioneering use of mass media, her songs still permeate the international airwaves. In the first English-language biography of Umm Kulthum, Virginia Danielson chronicles the life of a major musical figure and the confluence of artistry, society, and creativity that characterized her remarkable career. Danielson examines the careful construction of Umm Kulthum's phenomenal popularity and success in a society that discouraged wom...
General Register
Announcements for the following year included in some vols.
Feminists, Islam, and Nation
The emergence and evolution of Egyptian feminism is an integral, but previously untold, part of the history of modern Egypt. Drawing upon a wide range of women's sources--memoirs, letters, essays, journalistic articles, fiction, treatises, and extensive oral histories--Margot Badran shows how Egyptian women assumed agency and in so doing subverted and refigured the conventional patriarchal order. Unsettling a common claim that "feminism is Western" and dismantling the alleged opposition between feminism and Islam, the book demonstrates how the Egyptian feminist movement in the first half of this century both advanced the nationalist cause and worked within the parameters of Islam.
Egyptian Belly Dance in Transition
Raqs sharqi, the Egyptian dance form also known as belly dance, has for generations captured imaginations around the globe. Yet its origins have been obscured by misinformation and conjecture, rooted in Orientalist attitudes about the Middle East--a widely accepted narrative suggests the dance was created in response to Western influences and desires. Drawing on an array of primary sources, the author traces the early development of raqs sharqi in the context of contemporary trends in Egyptian arts and entertainment. The dance is revealed to be a hybrid cultural expression, emerging with the formation of Egyptian national identity at the end of the 19th century, when Egypt was occupied by the British.
Essays on Modern Kurdish Literature
Literature, images, and metaphor are often where most of a nation’s history are embedded. A study of modern Kurdish literature highlights a fealty to a rich literary past and a rich source of historiography. The articles in this volume address many facets of the literary in the Kurdish world: proverbs, feminist literature, and resistance in literary works, poetry, prose, etc. In the end, the volume offers a general paradigm of the complex literary framework of the Kurds, their continuous resistance for nationhood in their history, and their modern reinventing of the self. An overview of some of the works in modern Kurdish literature points to both asymmetry and commonality in comparative literary studies. These works highight the thematic reach in Kurdish literary studies.
Playing across a Divide
In the last decade of the twentieth century and on into the twenty-first, Israelis and Palestinians saw the signing of the Oslo Peace Accords, the establishment of the Palestinian Authority, the assassination of Israeli Prime Minister Yitzhak Rabin, and the escalation of suicide bombings and retaliations in the region. During this tumultuous time, numerous collaborations between Israeli and Palestinian musicians coalesced into a significant musical scene informed by these extremes of hope and despair on both national and personal levels. Following the bands Bustan Abraham and Alei Hazayit from their creation and throughout their careers, as well as the collaborative projects of Israeli artis...
Women, the Recited Qur’an, and Islamic Music in Indonesia
"Rasmussen has written a classic study of the world of Islamic soundscapes, performances and forms of musical piety in that most complex of societies, Indonesia. With great sensitivity, an alert musical response to players, reciters and audiences, a keen practitioner's ear and eye for subtlety as well as for the complexities of 'noise', she changes common assumptions about Muslim music and, not least, gender in changing Islamic ritual cultures. Her own political awareness and her professional as well as personal relations with women Qu'ran reciters contribute to an exciting an original volume that I recommend to any one exploring the riches of Islamic performances and debates in the contemporary world."—Michael Gilsenan, author of Lords of the Lebanese Marches: Violence and Narrative in an Arab Society
Sayyid Qutb
Sayyid Qutb is widely considered the guiding intellectual of radical Islam, with a direct line connecting him to Osama bin Laden. But Qutb has too often been treated maliciously or reductively-"the Philosopher of Islamic Terror," as Paul Berman famously put it in the New York Times Magazine. James Toth offers an even-handed account of Sayyid Qutb and shows him to be a much more complex figure than the many one-dimensional portraits would have us believe. Qutb first gained notice as a novelist, literary critic, and poet but then turned to religious and political criticism aimed at the Egyptian government and Muslims he deemed insufficiently pious. After a two-year sojourn in the U.S., he retu...
Concubines and Courtesans
Concubines and Courtesans contains sixteen essays on enslaved and freed women across medieval and pre-modern Islamic social history. The essays consider questions of slavery, gender, social networking, cultural production, sexuality, Islamic family law, and religion in the shaping of Near Eastern and Islamic society over time.
Music and Media in the Arab World
Frishkopf, Michael: Introduction: Music and media in the Arab world and music and media in the Arab world as music and media in the Arab world : a metadiscourse. - S. 1-64 Nassar, Zein: A history of music and singing on Egyptian radio and television. - S. 67-76 Abdel-Aziz, Moataz: Arabic music videos and their implications for Arab music and media. - S. 77-89 Wassimi, Mounir al-: Arab music and changes in the Arab media. - S. 91-96 Cestor, Elisabeth: Music and television in Lebanon. - S. 97-110 Ulaby, Laith: Mass media and music in the Arab Persian Gulf. - S. 111-126 Abdel-Latif, Yasser: Music of the streets : the story of a television program. - S. 129-136 Grippo, James R.: What's not on Eg...
