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Roman Polanski
  • Language: en
  • Pages: 172

Roman Polanski

  • Type: Book
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  • Published: 1987
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  • Publisher: Unknown

None

Film and Authorship
  • Language: en
  • Pages: 284

Film and Authorship

Spanning fields from poststructuralism, feminism, queer theory, postcolonialism, and cultural studies, the contributors ask - what does 'auteurship' look like today in light of new critical developments in the film studies?

A History of Film
  • Language: en

A History of Film

  • Type: Book
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  • Published: 2010
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  • Publisher: Pearson

Substantially revised for the seventh edition, this book highlights the contributions of major film-producing countries, significant filmmakers, and their films within social, artistic, economic, and technological contexts.

Hollywood`s Artists - the Directors Guild of America and the Construction of Authorship
  • Language: en
  • Pages: 296

Hollywood`s Artists - the Directors Guild of America and the Construction of Authorship

  • Type: Book
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  • Published: 2020-06-30
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  • Publisher: Unknown

Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America. Hollywood's Artists sheds new light on the ways in which the DGA has shaped the role and image of directors both within the Hollywood system and in the culture at large.

Creating the Couple
  • Language: en
  • Pages: 335

Creating the Couple

Who decides how, when, and where Americans fall in love and get married? Virginia Wexman's acute observations about movie stars and acting techniques show that Hollywood has often had the most powerful voice in demonstrating socially sanctioned ways of becoming a couple. Until now serious film critics have paid little attention to the impact of performance styles on American romance, and have often treated "patriarchy," "sexuality," and the "couple" as monolithic and unproblematic concepts. Wexman, however, shows how these notions have been periodically transformed in close association with the appearance, behavior, and persona of the stars of films such as The Maltese Falcon, The Big Sleep,...

A History of Film,6/e
  • Language: en
  • Pages: 508

A History of Film,6/e

None

A History of Film
  • Language: en
  • Pages: 500

A History of Film

Heavily revised and with a new-co-author, A History of Film , is a comprehensive international survey of the narrative fiction film from its beginnings to the present. In the book, the contributions of major film-producing countries, significant filmmakers, and their films are highlighted within social, artistic, economic, and technological contexts. This fifth edition constitutes a major revision and update over half the text is new! The new edition updates the book's historical coverage while considerably expanding it to incorporate women and minority filmmakers and audiences, avant-garde and documentary traditions, and the wide array of global filmmaking practices.

Jane Campion
  • Language: en
  • Pages: 264

Jane Campion

Collected interviews with the New Zealand director of The Piano and Portrait of a Lady

Directing
  • Language: en
  • Pages: 222

Directing

When a film is acclaimed, the director usually gets the lion’s share of the credit. Yet the movie director’s job—especially the collaborations and compromises it involves—remains little understood. The latest volume in the Behind the Silver Screen series, this collection provides the first comprehensive overview of how directing, as both an art and profession, has evolved in tandem with changing film industry practices. Each chapter is written by an expert on a different period of Hollywood, from the silent film era to today’s digital filmmaking, providing in-depth examinations of key trends like the emergence of independent production after World War II and the rise of auteurism i...

Women and Experimental Filmmaking
  • Language: en
  • Pages: 316

Women and Experimental Filmmaking

Women and Experimental Filmmaking gathers essays by some of the top scholars in cinema studies dealing with women experimental filmmakers. Tracking the topic across racial, economic, geographic, and even temporal boundaries, Jean Petrolle and Virginia Wexman's selections refiect the deep diversity of methodologies and research. The introduction sets out by addressing the basic difficulties of both historiography and definition before providing a historical overview of how these particular filmmakers have helped shape moviemaking traditions. The essays explore the major theoretical controversies that have arisen around the work of groundbreaking women such as Leslie Thornton, Su Friedrich, Nina Menkes, and Faith Hubley. With the film- makers representations of women's subjectivity ranging across film, video, digital media, ethnography, animation, and collage, Women and Experimental Filmmaking represents the full spectrum of genres, techniques, and modes.