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The Arabic Manuscript Tradition
The present work supplements the original volume of The Arabic Manuscript Tradition (AMT), both its glossary of technical terms and bibliography. It includes new entries of technical terms, additional definitions of, and/or citations for, the entries already found in AMT, and recent publications on various aspects of Arabic manuscript studies.
The Art of the Qurʼan
Published on the occasion of the exhibition The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts, Istanbul, held at the Arthur M. Sackler Gallery, Washington, D.C., October 15, 2016-February 20, 2017.
Material and Digital Reconstruction of Fragmentary Dead Sea Scrolls
Scholars working with ancient scrolls seek ways to extract maximum information from the multitude of fragments. Various methods were applied to that end on the Dead Sea Scrolls as well as on other ancient texts. The present book augments these methods to a full-scale protocol, while adapting them to a new computerized environment. Fundamental methodological issues are illuminated as part of the discussion, and the potential margin of error is provided on an empirical basis, as practiced in the sciences. The method is then exemplified with regard to the scroll 4Q418a, a copy of a wisdom composition from Qumran.
ELexicography in the 21st Century : New Challenges, New Applications
The field of lexicography is undergoing a major revolution. The rapid replacement of the traditional paper dictionary by electronic dictionaries opens up exciting possibilities but also constitutes a major challenge to the field. The eLexicography in the 21st Century: New Challenges, New Applications conference organized by the Centre for English Corpus Linguistics of the Université catholique de Louvain in October 2009 aimed to bring together the many researchers around the world who are working in the fast developing field of electronic lexicography and to act as a showcase for the latest lexicographic developments and software solutions in the field. The conference attracted both academi...
Islam and the Politics of Culture in Europe
Culture is a constant reference in debates surrounding Islam in Europe. Yet the notion of culture is commonly restricted to conceptual frames of multiculturalism where it relates to group identities, collective ways of life and recognition. This volume extends such analysis of culture by approaching it as semiotic practice which conjoins the making of subjects with the configuration of the social. Examining fields such as memory, literature, film, and Islamic art, the studies in this volume explore culture as another element in the assemblage of rationalities governing European Islam. From this perspective, the transformations of European identities can be understood as a matter of cultural practice and politics, which extend the analytical frames of political philosophy, historical legacies, normative orders and social dynamics.
Browsing through the Sultan's Bookshelves
Starting from 135 manuscripts that were once part of the library of the late Mamluk sultan Qāniṣawh al-Ghawrī (r. 1501–1516), this book challenges the dominant narrative of a "post-court era", in which courts were increasingly marginalized in the field of adab. Rather than being the literary barren field that much of the Arabic and Arabic-centred sources, produced extra muros, would have us believe, it re-cognizes Qāniṣawh's court as a rich and vibrant literary site and a cosmopolitan hub in a burgeoning Turkic literary ecumene. It also re-centres the ruler himself within this court. No longer the passive object of panegyric or the source of patronage alone, Qāniṣawh has an authorial voice in his own right, one that is idiosyncratic yet in conversation with other voices. As such, while this book is first and foremost a book about books, it is one that consciously aspires to be more than that: a book about a library, and, ultimately, a book about the man behind the library, Qāniṣawh al-Ghawrī.
Arabic Type-Making in the Machine Age
Arabic is the third most widely used script in the world, and gave rise to one of the richest manuscript cultures of mankind. Its representation in type has engaged printers, engineers, businesses and designers since the 16th century, and today most digital devices render Arabic type. Yet the evolution of the printed form of Arabic, and its development from metal to pixels, has not been charted before. Arabic Type-Making in the Machine Age provides the first comprehensive account of this history using previously undocumented archival sources. In this richly illustrated volume, Titus Nemeth narrates the evolution of Arabic type under the influence of changing technologies from the perspective of a practitioner, combining historical research with applied design considerations.
Arabic Manuscripts
Arranged alphabetically by subject and/or concept and richly illustrated, the present vademecum deals with various aspects of Arabic manuscript studies. A companion volume to my recently published The Arabic Manuscript Tradition (2001) and its Supplement (2008), this work constitutes an indispensible aid to students and researchers.
