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Beyond Frontiers
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Vladimir Ashkenazy
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Listening Through the Lens
BAFTA-Award winning documentary-maker, Christopher Nupen has made more than 80 films on classical music and musicians. His pioneering portrait-films count among their subjects Daniel Barenboim, Jacqueline du Pre, Vladimir Ashkenazy, Itzhak Perlman, Pinchas Zukerman, Nathan Milstein, Andres Segovia, Yevgeny Kissin, Karim Said, and Daniil Trifonov, many of whom have become lifelong friends. His 1969 film The Trout is legend. His film We Want the Light has won some of the most prized awards in documentary making, including the Jewish Cultural Award for Film and Television, 2003/2004. In his book, Christopher Nupen tells the story of his varied and often astonishing life and invites us to share his view of 'Listening through the Lens'.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Great Contemporary Pianists Speak for Themselves
Revealing interviews with Arrau, Brendel, de Larrocha, Gilels, Horowitz, Tureck, Watts, 18 other artists. Intimate look at the concert scene and the life of a concert pianist. Introduction by Sir George Solti. Includes 51 photographs.
Classical Music Encyclopedia
Authoritative, accesssible, and comprehensive, 'Classical Music Encyclopedia' offers an unprecedented depth and range of information. Organized chronologically, from the Medieval era to the 21st century, the sections in each chapter bring to life the rich history of Western classical music.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Pianists on Playing
Twelve internationally-known keyboard artists entertainingly discuss their daily lives of practicing and performing in informative interviews, including reflections on learning new music, reviving repertoire, performing, controlling nerves, recording sessions, playing with ensemble groups, touring, playing in competitions, and the future of the piano. The pianists interviewed include: Vladimir Ashkenazy, Jorge Bolet, John Browning, Bella Davidovich, Misha Dichter, Janina Fialkowska, Rudolf Firkusny, Leon Fleisher, Andre-Michel Schub, Abbey Simon, Ralph Votapek, and Andre Watts.
space.time.narrative
Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in t...
Guide to Computing for Expressive Music Performance
This book discusses all aspects of computing for expressive performance, from the history of CSEMPs to the very latest research, in addition to discussing the fundamental ideas, and key issues and directions for future research. Topics and features: includes review questions at the end of each chapter; presents a survey of systems for real-time interactive control of automatic expressive music performance, including simulated conducting systems; examines two systems in detail, YQX and IMAP, each providing an example of a very different approach; introduces techniques for synthesizing expressive non-piano performances; addresses the challenges found in polyphonic music expression, from a statistical modelling point of view; discusses the automated analysis of musical structure, and the evaluation of CSEMPs; describes the emerging field of embodied expressive musical performance, devoted to building robots that can expressively perform music with traditional instruments.
