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In this classic of Russian humor and social commentary, a fired cable fitter goes on a binge and hopes a train to Petushki (where his "most beloved of trollops" awaits). On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.
“Wonderful, compulsively readable, delicious” personal correspondences, spanning decades in the life and literary career of the author of Lolita (The Washington Post Book World). An icon of twentieth-century literature, Vladimir Nabokov was a novelist, poet, and playwright, whose personal life was a fascinating story in itself. This collection of more than four hundred letters chronicles the author’s career, recording his struggles in the publishing world, the battles over Lolita, and his relationship with his wife, among other subjects, and gives a surprising look at the personality behind the creator of such classics as Pale Fire and Pnin. “Dip in anywhere, and delight follows.” —John Updike
In their 1909 publication Théorie des corps déformables, Eugène and François Cosserat made a historic contribution to materials science by establishing the fundamental principles of the mechanics of generalized continua. The chapters collected in this volume showcase the many areas of continuum mechanics that grew out of the foundational work of the Cosserat brothers. The included contributions provide a detailed survey of the most recent theoretical developments in the field of generalized continuum mechanics and can serve as a useful reference for graduate students and researchers in mechanical engineering, materials science, applied physics and applied mathematics.
This text offers a critical study of postmodernism in Russian literature. It takes some of the central issues of the critical debate to develop a conception of postmodern poetics as a dialogue with chaos and places Russian literature in the context of an enriched postmodernism.
Haunting, terrifying and hilarious, The Day of the Oprichnik is a dazzling novel and a fierce critique of life in the New Russia Moscow 2028: Andrei Danilovich Komiaga, oprichnik, member of the czar's inner circle of trusted courtiers, rouses himself from a drunken stupor and prepares for another day of debauchery, violence, terror and beauty. In this New Russia, futuristic technology combine with the draconian world of Ivan the Terrible to create a dystopia chillingly akin to reality. Over the twenty-four-hour span of the novel, Komiaga will rape, pillage and torture, in the name of the czar he fears and adores. Shimmering with invention, fierce social commentary and razor-sharp wit, Day of the Oprichnik imagines a near future too disturbing to contemplate and too close to reality to ignore.
The book examines prominent literary works from the past two decades by Russian women writers dealing with the Soviet past. It explores works such as Daniel Stein, Interpreter by Ludmilla Ulitskaya, The Time of Women by Elena Chizhova, Secondhand Time: The Last of the Soviets by Svetlana Alexievich, and In Memory of Memory by Maria Stepanova, and uncovers connecting thematic structures and features. Focusing on the concepts of displacement and postmemory, the book shows how these works have given voice to those on the margins of society and of ‘great history’ whose resistance was often silent. In doing so, these women writers portray the everyday experiences and trauma of displaced women and girls during the second half of the twentieth century. This study offers new insights into the importance of these women writers’ work in creating and preserving cultural memory in post-Soviet Russia.
"Erofeev's autobiographical novel provides both a child's and an adult's perspective on several decades of Soviet history. The book documents not only the emergence of a prominent writer, but also looks at the evolution of the Soviet dissident movement amongst the nomenklatura"--Publisher's website.
1. The fundamental hypothesis of microstructured elastic solids. Structural-phenomenological model. 1.1. Mathematical models of solids with microstructure. 1.2. Definition of material constants -- 2. Gradient elasticity media. Dispersion. Dissipation. Non-linearity. 2.1. Dynamic equations. Energy and momentum variation law. 2.2. Dispersion properties of longitudinal and shear waves. Surface Rayleigh waves. 2.3. Dissipative properties. 2.4. Nonlinear plain stationary waves. 2.5. Quasi-plain wave beams. 2.6. Self-modulation of quasi-harmonic shear waves. 2.7. Resonant interaction of quasi-harmonic waves. 2.8. Noise waves -- 3. Gradient elasticity media. Damaged medium. Magnetoelasticity. 3.1. ...
This book reviews the mathematical modeling and experimental study of systems involving two or more different length scales. The effects of phenomena occurring at the lower length scales on the behavior at higher scales are of intrinsic scientific interest, but can also be very effectively used to determine the behavior at higher length scales or at the macro-level. Efforts to exploit this micro- and macro-coupling are, naturally, being pursued with regard to every aspect of mechanical phenomena. This book focuses on the changes imposed on the dynamics, strength of materials and durability of mechanical systems by related multiscale phenomena. In particular, it addresses: 1: the impacts of effective dissipation due to kinetic energy trapped at lower scales 2: wave propagation in generalized continua 3: nonlinear phenomena in metamaterials 4: the formalization of more general models to describe the exotic behavior of meta-materials 5: the design and study of microstructures aimed at increasing the toughness and durability of novel materials
divWalpurgis Night, by acclaimed Russian writer Venedikt Erofeev, is considered a classic in the playwright’s homeland. Erofeev’s dark and funny five-act satire of Soviet repression has been called the comic high-water mark of the Brezhnev era. Walpurgis Night dramatizes the outrageous trials of Lev Isakovich Gurevich, an alcoholic half-Jewish dissident poet confined by the state to a hospital for the insane. In “Ward 3”—a microcosm of repressive Soviet society—Gurevich deploys his brilliant wit and ingenuity to bedevil his jailers, defend his fellow inmates, protest his incarceration, and generally create mayhem, which ultimately leads to a tragedy of Shakespearean proportions./DIV