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Central Asian Art
The strict prohibition on the representation of the human form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and are pository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin,and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years. form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and a repository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin, and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years.
Persian Art
Housed in the Hermitage Museum along with other institutes, libraries, and museums in Russia and the republics of the former Soviet Union are some of the most magnificent treasures of Persian Art. For the most part, many of these works have been lost, but have been catalogued and published here for the first time with an unsurpassed selection of colour plates. In a comprehensive introduction, Vladimir Lukonin, Director of the Oriental Art section of the Hermitage Museum, and his colleague Anatoli Ivanov have broadly documented the major developments of Persian Art: from the first signs of civilisation on the plains of Iran around the 10thcentury BCE through the early 20th century. In the sec...
Art History Persian art
Housed in the Hermitage Museum along with other institutes, libraries, and museums in Russia and the republics of the former Soviet Union are some of the most magnif icent treasures of Persian Art. For the most part, many of these works have been lost, but have been catalogued and published here for the first time with an unsurpassed selection of colour plates. In a comprehensive introduction, Vladimir Loukonine, Director of the Oriental Art section of the Hermitage Museum, and his colleague Anatoli Ivanov have broadly documented the major developments of Persian Art: from the first signs of civilisation on the plains of Iran around the 10th-century BCE through the early 20thcentury. Persian Art demonstrates a common theme which runs through the art of the region over the past three millennia. Despite many religious and political upheavals, Persian Art – whether in its architecture, sculpture, frescoes, miniatures, porcelain, fabrics, or rugs; whether in the work of the humble craftsmen or the high art of court painters – displays the delicate touch and subtle refinement which has had a profound influence on art throughout the world.
Essays on Judaism in the Pre-Hellenistic Period
The essays deal with developments during the period from the liquidation of the Judean state to the conquests of Alexander the Great. This was a critical time in the Near East and the Mediterranean world in general. It marked the end of the great Semitic empires until the rise of Islam in the seventh century A.D.,decisive changes in religion, with appeal to a creator-deity in Deutero-Isaiah, Babylonian Marduk cult, and Zoroastrianism.For the survivors of the Babylonian conquest in a post-collapse society the issue of continuity, with different groups claiming continuity with the past and possession of the traditions, there developed a situation favourable to the emergence of sects. The most pressing question, however, was what to do faced with the overwhelming power of empire, first Babylonian, then Persian. Finally, with the extinction of the native dynasty and the entire apparatus of a nation-state, the temple became the focus and emblem of group identity.
Discovering Cyrus: The Persian Conqueror Astride the Ancient World
Discovering Cyrus: The Persian Conqueror Astride the Ancient World Some of the most fascinating human epochs lie in the borderlands between history and mystery. So it is with the life of Cyrus the Great, founder of the Persian Empire in the sixth century B.C. By conquest or gentler means, he brought under his rule a dominion stretching from the Aegean Sea to the Hindu Kush and encompassing some tens of millions of people. All across this immense imperium, he earned support and stability by respecting local customs and religions, avoiding the brutal ways of tyranny, and efficiently administering the realm through provincial governors. The empire would last another two centuries, leaving an in...
Persian Cultures of Power and the Entanglement of the Afro-Eurasian World
A cutting-edge analysis of 2,500 years of Persian visual, architectural, and material cultures of power and their role in connecting the world. With the rise of the Achaemenid Empire (550–330 BCE), Persian institutions of kingship became the model for legitimacy, authority, and prestige across three continents. Despite enormous upheavals, Iranian visual and political cultures connected an ever-wider swath of Afro-Eurasia over the next two millennia, exerting influence at key historical junctures. This book provides the first critical exploration of the role Persian cultures played in articulating the myriad ways power was expressed across Afro-Eurasia between the sixth century BCE and the ...
The Invention of God
Who invented God? When, why, and where? Thomas Römer seeks to answer these questions about the deity of the great monotheisms—Yhwh, God, or Allah—by tracing Israelite beliefs and their context from the Bronze Age to the end of the Old Testament period in the third century BCE. That we can address such enigmatic questions at all may come as a surprise. But as Römer makes clear, a wealth of evidence allows us to piece together a reliable account of the origins and evolution of the god of Israel. Römer draws on a long tradition of historical, philological, and exegetical work and on recent discoveries in archaeology and epigraphy to locate the origins of Yhwh in the early Iron Age, when ...
Legions in Crisis: The Transformation of the Roman Soldier - 192 to 284
The third century AD was a turbulent and testing time for the Roman Empire. A new and powerful foe in the east had risen up to challenge Rome directly. Barbarians on the northern frontiers were now more aggressive and more numerous than before and internally the population of the empire had to contend with rampant inflation and a series of terrible plagues. Unfortunately, the chaos became magnified by a lack of continuity on the imperial throne. The army had real political power in the third century, making and unmaking emperors as it saw fit. It had been aided in this by Septimius Severus, the African emperor who had won out in the civil wars following Commodus' assassination. He increased ...
Text, Theology, and Trowel
Text, Theology, and Trowel consists of ten essays on the understanding and reception of the Hebrew Bible in Judaism and Christianity. Textual exegesis, historical contexts, and modern reception of the Hebrew text are placed side by side to encourage interdisciplinary study. Two theologically minded essays are included to help overcome the biblical studies/theology dichotomy. By placing such divergent approaches together, this volume will help expand ways of thinking about the Bible and its cognate fields.
Christianity in Persia and the Status of Non-muslims in Iran
Writing on an often overlooked section of contemporary Persian culture, A. Christian van Gorder provides a comprehensive and readable introduction to the experience of Christians and other non-Muslims in Iran throughout history and into the present day. Van Gorder gives a fascinating account of the history of Christianity in Persia. By debunking the common misconceptions and stereotypes driven by recent political events and the media, he shows the current relationship that the Muslim majority in Iran has developed with people of other faiths. Book jacket.
