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Drawing on the dynastic conflict in medieval Poland this book shows how important it is for comprehension of medieval political culture to consider the complex functions of rituala "as a tool shaping political relations both in the realm of practical politics, and on the level of narrative material by which those relations were described.
Bestselling Mafia romance series. Everything I do has purpose. Everything I do has reason. Until her. The Vasiliev name is a powerful one. We rule with an iron fist and we do it well. Being the eldest, I am Father’s best hope at keeping us at the top of the food chain. Everything I do has purpose. Everything I do has reason. Until her. I play my games thinking several moves ahead. Power. Power. Power. Until her. The next move requires I marry and soon. This will strengthen us and secure our position. But I am not to marry her. I am to wed the eldest Volkov. Problem is, her younger sister is the one who awakens my dead heart. It is her I want in my bed and by my side forever. Her. Her. Her. In this game, though, it’s not about what I want. But maybe it can be about what she wants. I am Vlad. Vile. Vicious. Villainous. Vasiliev. And I will win eventually.
When the name Dracula is spoken, what image comes into your mind? Do you think of a bloodthirsty monster made up by an Irish story-teller who never stepped foot on Romanian soil? Or, do you think of a legendary fifteenth century hero of Romania who risked his life and fought courageously to take on the Ottoman empire to protect his land, his people, all of Europe, and all of Christianity? Since the age of 13, Amelia Justine Kari had a quest. Her quest was to one day take a trip to the beautiful lands of Romania, in search of the truth behind the mysterys of the real Prince Dracula. Once on Romanian soil, Amelia would find other forces already at work in search of her. Because of her career choice as a medical technician and her overwhelming fascination with the green eyed, black haired man called Prince Vladislaus Dracula, Amelia was always misunderstood. But, what if Vlad Dracula was also misunderstood? What if the pamphlets and documents written about him, were only made up to control him, use his power, and condemn him to prison? Amelia was determined to find the truth, but she'd have to search deep in her soul to find all the answers.
The legendary vampire Dracula , created by author Bram Stoker in his 1897 novel of the same name is named after a real person Vlad Tepes of Wallachia of the 15th century, the pitiless sovereign who entwined hundred thou- sand Ottoman civilians on the crucifix to impede Islam from spreading in Europe. He, in course of time and history, be- came the bloodthirsty vampire of the myths and folklores. He emerged to me as a misread champion of the yesteryear, the comrade of the Cross who later became the anomalous villain, the worst foe of the Cross and the monster greedy of blood, the one who can be killed by the crucifix itself. In this book, the writer portrays a 'Christian Dracula' who writes to his Muslim brother Radu on his conversion. The motion picture Saint Dracula is based on this original text.
This book is a revisionist account of Samuel’s State and the legendary struggle between Samuel Cometopoulos and Basil II (10th-11th century). It goes beyond the standard approach to the study of state formation, presenting an entirely new analytical framework which interrogates how contemporaries in the Balkans at different times, ranging from the Byzantine and Balkan elites of the medieval centuries to later voices in the early modern and modern periods, have represented Samuel’s polity in the service of their own political agendas and territorial aspirations towards Macedonia. The wide-ranging relationship between culture, identity and power are addressed, making use not just of Balkan literary and artistic traditions but on writings from across the Slavic world and western political and intellectual contexts. Demonstrating the conflicted legacy of the Samuel’s State in the Balkans, Mitko B. Panov questions established scholarly opinion and offers new interpretations that reconsider its place in Byzantine and Balkan history and imagination.
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This volume investigates identity discourses and self-constructions/de-constructions in various texts through imagological readings of films, narratives, and art works, examining different layers of cultural identities, on the one hand, and measuring the literary reception of ethnic identity constitution to reveal both the self and hetero images, on the other. The book features theoretical and analytical approaches with insights borrowed from multiple disciplines, and mainly focuses on the application of imagological perspectives in the fields of literature and translation, and specifically in literary works “carried over” from one culture to another. It will be of interest for scholars and researchers working in the fields of literature, translation, cultural studies, and imagology, as well as for students studying in these fields.
Enjoying the last day of merriment in LOVE Park, Kevin Zahir Dunmore sees a woman across the courtyard, and knows instantly he has to capture her image. He doesn't miss a step, sketching page after page of her silhouette. He ponders, if only he were close enough to see the shade of her eyes. Never one to let a moment pass he approaches her, swagger peppering his steps. Little does he know. . .his life will never be the same. The sensation is of butterfly wings skimming down her neck and across her exposed shoulders. Ashlyn Farrell feels open, and she shockingly relishes the imaged touch. She's forever in control, and as her life as a photojournalist depends on that control. However, on that ...
In a world where danger lurks around every corner, trust is the ultimate weapon. Sophia and her daughter, Ella, are on the run, fleeing from a past filled with terror and heartache. Desperate for safety, they turn to an old friend for help, only to be thrust into a realm they never knew existed—a world of shifters, magic, and unbreakable bonds. After years of abuse, Sophia struggles to trust anyone, especially men. Can she let her guard down long enough to embrace the protection offered to her? Enter Alpha Knox—powerful, determined, and ready to reclaim what he thought he’d lost forever. When he returns home to find his mate fighting for her life in the pack hospital, he discovers that...
For the first time the true story of the man who founded the Dracula dynasty is revealed. Stories of Dracula have fascinated people around the world for generations. Both the fictional vampire created by the Irish author Bram Stoker at the end of the nineteenth century and the fifteenth century Prince called Vlad the Impaler, the man regarded as the historical Dracula, have become part of universal culture. Yet few realize that the Wallachian ruler dubbed "the Impaler," is not the original Dracula. Instead, that distinction belongs to his father, a little-known prince called Vlad Dracul. But who was the one who started it all? The elder Vlad, who gained the sobriquet Dracul or Dracula when H...