You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
While Alfred North Whitehead did not dedicate any books or articles to aesthetics specifically, aesthetic motifs permeate his entire philosophical opus. Despite this, aestheticians have devoted little attention to Whitehead; most attempts to reconstruct Whitehead’s aesthetics have come from process philosophers, and even in that context aesthetics has never occupied a central position. In this book, four scholars of aesthetics provide another angle from which Whiteheadian aesthetics might be reconstructed. Paying special attention to the notion of aesthetic experience, the authors analyze abstraction versus concreteness, immediacy vs. mediation, and aesthetic contextualism vs. aesthetic is...
How can aesthetic enquiry contribute to the study of visual culture? There seems to be little doubt that aesthetic theory ought to be of interest to the study of visual culture. For one thing, aesthetic vocabulary has far from vanished from contemporary debates on the nature of our visual experiences and its various shapes, a fact especially pertinent where dissatisfaction with vulgar value relativism prevails. Besides, the very question—ubiquitous in the debates on visual culture—of what is natural and what is acquired in our visual experiences has been a topic in aesthetics at least since the Enlightenment. And last but not least, despite attempts to study visual culture without employ...
Insight into the Part of the Cultural Scene from the Late 90s to 2022. Fotoalbum - artistic monograph, paintings, photographs, press releases, newspaper clippings. The atmosphere of galleries and clubs with art activities. Vernissages with poets and musicians. Artistic and bohemian Prague, Czech Republic, EU.
In The Morph-Image: The Subjunctive Synthesis of Time, Steen Ledet Christiansen argues for a new model of digital cinema that draws on Deleuzian and Whiteheadian insights into time and the future. This model insists that the philosophy of time must be rethought to provide a better understanding of the future and that the digital capacities of post-cinema present occasions of thought well-suited to this task. The figure of the morph, Christiansen posits, allows a conception of how post-cinema expresses time as a means of capture that appears liberatory, but modulates subjectivities into temporal forms of control. These temporal forms include digital animacies, flows, loops, synthetic long tak...
The Czech philosopher Jan Patocka not only witnessed some of the most turbulent politics of twentieth-century Central Europe, but shaped his philosophy in response to that tumult. One of the last students of Edmund Husserl and Martin Heidegger, he inspired Václav Havel and other dissidents who confronted the Communist regime before 1989, as well as being actively involved in authoring and enacting Charter 77. He died in 1977 from medical complications resulting from interrogations of the secret police. Confronting Totalitarian Minds examines his legacy along with several contemporary applications of his ideas about dissidence, solidarity, and the human being’s existential confrontation wi...
The notion of everydayness is currently gaining momentum in scientific discourses, in both philosophical and applied aesthetics. This volume aims to shed light on some of the key issues that are involved in discussions about the aesthetics and the philosophy of everyday life, taking into account the field’s methodological background and intersections with cognate research areas, and providing examples of its contemporary application to specific case studies. The collection brings together twenty essays organised around four main thematic areas in the field of everyday aesthetics: (1) Environment, (2) The Body, (3) Art and Cultural Practices, and (4) Methodology. The covered topics include, but are not limited to, somaesthetics, aesthetic engagement, the performing arts, aesthetics of fashion and adornments, architecture, environmental and urban aesthetics. DOI: 10.13134/978-80-555-2778-9
This book is the first study in English to examine some of the key themes and traditions of Czech and Slovak cinema, linking inter-war and post-war cinemas together with developments in the post-Communist period. It examines links between theme, genre, and visual style, and looks at the ways in which a range of styles and traditions has extended across different historical periods and political regimes. Czech and Slovak Cinema provides a unique study of areas of Central European film history that have not previously been examined in English.
The volume represents a selection of the articles which were presented at a colloquium on new research topics in aesthetics at the Austrian Library in Pilsen in September 2010. Their authors, Czech and Austrian scholars, address various topics, ranging from the institutional history of aesthetics to the relationship between philosophical aesthetics and psychology, and from the philosophy of literature to the aesthetics of fine arts, dramatic arts, and architecture.
Estetický prožitek/zkušenost je jedním z klíčových konceptů moderní estetiky (od A. G. Baumgartena) po současnost, implicitně i v antické a středověké estetice. Podrobnější deskripce, kterým předcházely pokusy zachytit specifičnost estetického prožitku pojmy jako kontemplace či nezainteresovanost, metazájem na percepci a další, představovaly většinou lineární „scénář“, od „hrubých dat“ po syntézu estetických kvalit, vrcholící estetickou hodnotou. Takové pojetí neodpovídá vývoji estetice příbuzných či pro estetická zkoumání relevantních disciplín, z nichž prezentovaná kniha využívá zejména kognitivní neurovědy a jejich „...