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Horror Comics in Black and White
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Images of Colonialism and Decolonisation in the Italian Media
The twentieth century saw a proliferation of media discourses on colonialism and, later, decolonisation. Newspapers, periodicals, films, radio and TV broadcasts contributed to the construction of the image of the African “Other” across the colonial world. In recent years, a growing body of literature has explored the role of these media in many colonial societies. As regards the Italian context, however, although several works have been published about the links between colonial culture and national identity, none have addressed the specific role of the media and their impact on collective memory (or lack thereof). This book fills that gap, providing a review of images and themes that have surfaced and resurfaced over time. The volume is divided into two sections, each organised around an underlying theme: while the first deals with visual memory and images from the cinema, radio, television and new media, the second addresses the role of the printed press, graphic novels and comics, photography and trading cards.
Algorithms for Memory Hierarchies
Algorithms that have to process large data sets have to take into account that the cost of memory access depends on where the data is stored. Traditional algorithm design is based on the von Neumann model where accesses to memory have uniform cost. Actual machines increasingly deviate from this model: while waiting for memory access, nowadays, microprocessors can in principle execute 1000 additions of registers; for hard disk access this factor can reach six orders of magnitude. The 16 coherent chapters in this monograph-like tutorial book introduce and survey algorithmic techniques used to achieve high performance on memory hierarchies; emphasis is placed on methods interesting from a theoretical as well as important from a practical point of view.
Friday Foster: The Sunday Strips
The Friday Foster comic strip is the story ofa former nightclub “camera bunny” turned photographer’s assistant turned fashion model. With an innate inclination to help others and a natural beauty that makes her a magnet for men, Friday often finds herself in some very sticky situations and world class adventures. For the FIRST TIME EVER, the classic FRIDAY FOSTER newspaper color comic strip created by James D. “Jim” Lawrence (of Buck Rogers and James Bond fame) and illustrated by Jorge “Jordi” Longarón then later Gray Morrow is collected. The strip ran from 1974-1970 and inspired the 1975 movie of the same name starring Pam Grier. The strip is the first mainstream comic strip starring an African-American character in the title role. The book will also include a significant bonus section including multiple interviews, an expanded sketchbook section, artwork, photos, essays, articles, behind-the-scenes info, and more!
Guerrilla Prince: The Untold Story Of Fi
Based on hundreds of interviews conducted over many years in 28 countries, including extensive personal interviews with Castro himself, Georgie Anne Geyer reveals the untold story of Fidel Castro in this definitive biography.
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