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Monsters in America
Monsters are here to stay.--Christopher James Blythe "Journal of Religion and Popular Culture"
Wasteland
The Washington Post, “One of the Best Books to Take You Off the Beaten Track” A historian and Bram Stoker Award nominee explores the birth of modern horror films and literature—tracing their origins back to the confluence of military history, technology, and art circa World War I From Nosferatu to Frankenstein’s monster, from Fritz Lang to James Whale, the touchstones of horror can all trace their roots to the bloodshed of the First World War. Bram Stoker Award nominee W. Scott Poole traces the confluence of military history, technology, and art in the wake of World War I to show how overwhelming carnage gave birth to a wholly new art form: modern horror films and literature. “Poole’s general conclusions about World War I’s transformation into art, and the process of psychological displacement that accompanied it, are incontestable.” —The Wall Street Journal
Dark Carnivals
The panoramic story of how the horror genre transformed into one of the most incisive critiques of unchecked American imperial power The American empire emerged from the shadows of World War II. As the nation’s influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie. A carnival ride that connects the mushroom clouds of 1945 to the beaches of Amity Island, Charles Manson to the massacre at My Lai, and John Wayne to John Wayne Gacy, the new book by acclaimed historian W. Scott Poole reveals how horror films and fictions have followed the course of America’s military and cultural empire and explores how the shadow of our national sins can take on the form of mass entertainment.
Satan in America
Satan in America tells the story of America's complicated relationship with the devil. "New light" evangelists of the eighteenth century, enslaved African Americans, demagogic politicians, and modern American film-makers have used the devil to damn their enemies, explain the nature of evil and injustice, mount social crusades, construct a national identity, and express anxiety about matters as diverse as the threat of war to the dangers of deviant sexuality. The idea of the monstrous and the bizarre providing cultural metaphors that interact with historical change is not new. Poole takes a new tack by examining this idea in conjunction with the concerns of American religious history. The book shows that both the range and the scope of American religiousness made theological evil an especially potent symbol. Satan appears repeatedly on the political, religious, and cultural landscape of the United States, a shadow self to the sunny image of American progress and idealism.
South Carolina's Civil War
W. Scott Poole teaches South Carolina history at the College of Charleston.
Vampira
This whip-smart piece of pop culture details the life of the cult horror figure, as well as the much wider story of 1950s America, its treatment of women and sex, and a fascinating swath of Hollywood history. In Vampira, Poole gives us the eclectic life of the dancer, stripper, actress, and artist Maila Nurmi, who would reinvent herself as Vampira during the backdrop of 1950s America, an era of both chilling conformity and the nascent rumblings of the countercultural response that led from the Beats and free jazz to the stirring of the LGBT movement and the hardcore punk scene in the bohemian enclave along Melrose Avenue. A veteran of the New York stage and late nights at Hollywood's hipster...
In the Mountains of Madness
This brilliant and page-turning book reveals the importance of H.P. Lovecraft in a way no one has before--a survey of his life but, more importantly, an examination of his influence that stretches throughout the entertainment industry and into society as a whole. Interweaving the biography of the legendary writer with an exploration of Lovecraft as a phenomenon, In the Mountains of Madness strives to explain this reclusive, cultish figure while challenging some of the general views held by Lovecraft devotees. Focusing specifically on the large cross-section of horror and science fiction fans who know Lovecraft through films, role-playing games, and video games directly influenced by his work, but who know little or nothing about the man himself, In the Mountains of Madness places Lovecraft and his work in a cultural context, as an artist more in tune with our time than his own. More than a traditional biography, this provocative book reclaims the true essence of Lovecraft in relation to the comics of Joe Lansdale, the novels of Stephen King, and some of the biggest blockbuster films in contemporary America, proving the undying influence of this rare and significant figure.
Never Surrender
Near Appomattox, during a cease-fire in the final hours of the Civil War, Confederate general Martin R. Gary harangued his troops to stand fast and not lay down their arms. Stinging the soldiers' home-state pride, Gary reminded them that "South Carolinians never surrender." By focusing on a reactionary hotbed within a notably conservative state--South Carolina's hilly western "upcountry"--W. Scott Poole chronicles the rise of a post-Civil War southern culture of defiance whose vestiges are still among us. The society of the rustic antebellum upcountry, Poole writes, clung to a set of values that emphasized white supremacy, economic independence, masculine honor, evangelical religion, and a r...
The Palmetto State
As South Carolina enters into the fourth century of its storied existence, the state's captivating, colorful, and controversial history continues to warrant fresh explorations. In this sweeping story of defining episodes in the state's history, accomplished Southern historians Jack Bass and W. Scott Poole trace the key importance of race relations, historical memory, and cultural life in the progress of the Palmetto State from its colonial inception to its present incarnation. The authors bring a strong emphasis on the modern era to their briskly paced narrative, which advances work begun by Bass in his germinal investigation Porgy Comes Home: South Carolina after Three Hundred Years to furt...
Monsters in the Classroom
Exploring the pedagogical power of the monstrous, this collection of new essays describes innovative teaching strategies that use our cultural fascination with monsters to enhance learning in high school and college courses. The contributors discuss the implications of inviting fearsome creatures into the classroom, showing how they work to create compelling narratives and provide students a framework for analyzing history, culture, and everyday life. Essays explore ways of using the monstrous to teach literature, film, philosophy, theater, art history, religion, foreign language, and other subjects. Some sample syllabi, assignments, and class materials are provided.
