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This magnificent one-volume catalogue, a revised version of the edition published in 2004, provides a complete survey of the Wallace collection s pictures.
Describes in detail 151 paintings and 60 drawings of British, German, Italian and Spanish schools.
Samlingen i The Wallace Collection; med korte indledninger
The Wallace Collection is a British national museum that displays the magnificent works of art collected in the eighteenth and nineteenth centuries by the first four Marquesses of Hertford and Sir Richard Wallace, the son of the fourth Marquess. It was bequeathed to the British nation by Sir Richards widow, Lady Wallace, in 1897. Displayed at Hertford House, one of the familys London properties back in the nineteenth century, The Wallace Collection introduces its outstanding pieces in a sumptuous but approachable manner, which is an essential part of its charm. The collection is probably best known for its paintings by artists such as Titian, Rembrandt, Frans Hals (The Laughing Cavalier) and...
The new catalogue of Italian sculpture in the Wallace Collection by Jeremy Warren, author of the award-winning catalogue of 'Medieval and Renaissance sculpture in the Ashmolean Museum, Oxford', puts onto the map a part of the Wallace Collection which has hitherto been relatively little-known. The 159 entries cover works in bronze, marble, terra cotta and wood dating from c. 1400 to 1900, and by or associated with some of the most famous names in Italian sculpture, such as Donatello, Pietro Torrigiani, Giovanni Bologna (Giambologna) and Alessandro Algardi. Each entry is packed with information, with a comprehensive description and bibliography followed by a commentary exploring attribution, dating, function and social and historical context. An introductory essay explores the origins of the Italian sculpture collection in the Wallace Collection, whilst in her technical essay Seoyoung Kim examines some of the results of the program of alloy analysis of the sculptures in bronze and other metals.
The Wallace Collection is both a national museum and the finest private collection of art ever assembled by one family. It was bequeathed to the nation in 1897 by Lady Wallace, widow of Sir Richard Wallace, the illegitimate son of the fourth Marquess of