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Thomas Hamblin and the Bowery Theatre
This book recounts the personal and professional life of Thomas Souness Hamblin (1800-1853), Shakespearean actor and Bowery Theatre manager. Primarily responsible for the popularity of “blood and thunder” melodramas with working class audiences in New York City, Hamblin discovered, trained and promoted many young actors and, especially, actresses who later became famous in their own right. He also epitomized the “sporting man” of mid-nineteenth century life, conducting a scandalous series of affairs and visits to Manhattan brothels, which cost him his marriage to Elizabeth Blanchard Hamblin (1799-1849) and made him the brunt of moralist, religious and journalistic crusades, notably that of James Gordon Bennett’s New York Herald. His machinations and perseverance through trying challenges, including several destructions of the Bowery Theatre by fire, extensive financial and legal complications, and the untimely deaths of several young protégées, earned him equal measures of admiration and opprobrium.
Music for the Melodramatic Theatre in Nineteenth-Century London and New York
Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began t...
Equestrian Drama
Equestrian Drama: An Anthology of Plays is a collection of four representative equestrian dramas. It includes four annotated plays: Timour the Tartar by Matthew G. Lewis, The Battle of Waterloo by J. H. Amherst, Mazeppa by Henry M. Milner, and The Whip by Henry Hamilton and Cecil Raleigh. An introduction precedes the collection, providing the information necessary to understand and contextualize the genre and the plays as both written and performance texts, and within the time period of their original productions, as well as within the larger histories of theatre and equestrian entertainments. Additional related plays are identified, excerpted, and explored, providing readers with a wide ran...
Hawaiian National Bibliography, 1780-1900
The fourth and final volume of the Hawaiian National Bibliography, 1780-1900, records the most volatile period in Hawaii's history. American business interests and the desire for a constitutional monarchy were pitted against the desire of the monarchs, King Kaläkaua and Queen Liliuokalani, to strengthen the power of the throne. The convulsions of the 1887 and 1889 revolutions were succeeded by the overthrow of the monarchy on January 17, 1893. Documents revealing the struggle over annexation, beginning in 1893, and the counterrevolution of 1895 are an important component of this volume. Annexation in 1898 was followed by a two-year period during which functions of government and laws were a...
K-R
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English and Empire
Presents an interdisciplinary study of literary dialect and an argument for a mixed-method approach to digital research.
Annals of Cleveland
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The Psychoscope
The Psychoscope contributed to the new genre of science fiction with its namesake invention, an anticipation of the lie detector. The play distinguishes itself by engaging in bold social commentary and by being one of the earliest examples of the genre of detective fiction. This text, privately published in 1871, is a facsimile of the original play.-- page 4 of cover.
The Radium Girls
Emma Watson’s Our Shared Shelf book club choice New York Times bestseller ‘Fascinating’ Sunday Times ‘Thrilling’ &★&★&★&★&★ Mail on Sunday All they wanted was the chance to shine. Be careful what you wish for… ‘The first thing we asked was, “Does this stuff hurt you?” And they said, “No.” The company said that it wasn’t dangerous, that we didn’t need to be afraid.’ As the First World War spread across the world, young American women flocked to work in factories, painting clocks, watches and military dials with a special luminous substance made from radium. It was a fun job, lucrative and glamorous – the girls shone brightly in the dark, covered head to...
