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The Power of Soul
Outlines a program that fuses Eastern and Western medicine and philosophies to discuss how to bolster health and longevity while promoting personal success, and explains the importance of having a healthy soul in order to enable physical well-being.
Transforming Tradition
Explores the history and lingering effects of governmental reform of Chinese theater, post-1949
The Invention of Li Yu
Li Yu, 1610-1680, was a brilliant comic writer and entertainer, a thoroughgoing professional whose life was in his work-plays, stories, a novel, criticism, essays, and poems. Patrick Hanan places him in the society of his day, where even his precarious livelihood, his constant search for patronage, did not dampen his versatility, his irreverent wit, or his jocund spirit. Li was also an epicure, an inventor, a pundit, and a designer of houses and gardens. He was an exceptional figure in Chinese culture for two reasons: his disregard of the authority of tradition, and his dedication to the cause of comedy. Hanan uses the term "invention" in his title in several ways: Li Yu's invention of himself, his public image-his originality and inventiveness in a multitude of fields and the literary products of his inventiveness. With expert and entertaining translations Hanan explores the key features of Li Yu's work, summarizing, describing, and quoting extensively to convey Li's virtuosity, his unconventionality, his irreverence, his ribaldry. This is a splendid introduction to the art and persona of a Chinese master of style and ingenuity.
The Chinese Filmography
From A to Z, Abandon Superstitions (1958; Po Chu Mi Xing in Chinese) to Zuo Wenjun and Sima Xiangru (1984; Zuo Wen Jun Ahe Si Ma Xiang Ru), this comprehensive reference work provides filmographic data on 2,444 Chinese features released since the formation of the People's Republic of China. The films reflect the shifting dynamics of the Chinese film industry, from sweeping epics to unabashedly political docudramas, although straight documentaries are excluded from the current work. The entries include the title in English, the Chinese title (in Pinyin romanization with each syllable noted separately for clarity), year of release, studio, technical information (e.g., black and white or color, letterboxed or widescreen), length, technical credits, literary source (when applicable), cast, plot summary, and awards won.
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The Sinister Way
The most striking feature of Wutong, the preeminent God of Wealth in late imperial China, was the deity's diabolical character. Wutong was perceived not as a heroic figure or paragon of noble qualities but rather as an embodiment of humanity's basest vices, greed and lust, a maleficent demon who preyed on the weak and vulnerable. In The Sinister Way, Richard von Glahn examines the emergence and evolution of the Wutong cult within the larger framework of the historical development of Chinese popular or vernacular religion—as opposed to institutional religions such as Buddhism or Daoism. Von Glahn's study, spanning three millennia, gives due recognition to the morally ambivalent and demonic aspects of divine power within the common Chinese religious culture.
