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Considering how literary texts address the transformations that Brazil has undergone since its 1985 transition to democracy, this study proposes that Brazilian contemporary literature is informed by the struggle for social, civil, and cultural rights and that literary production has created spaces for historically disenfranchised communities.
Context in Literary and Cultural Studies is an interdisciplinary volume that deals with the challenges of studying works of art and literature in their historical context today. The relationship between artworks and context has long been a central concern for aesthetic and cultural disciplines, and the question of context has been asked anew in all eras. Developments in contemporary culture and technology, as well as new theoretical and methodological orientations in the humanities, once again prompt us to rethink context in literary and cultural studies. This volume takes up that challenge. Introducing readers to new developments in literary and cultural theory, Context in Literary and Cult...
Silviano Santiago has been a pioneer in the development of concepts crucial to the discourse of contemporary critical and cultural theory, especially postcolonial theory. The notions of “hybridity” and “the space in-between” have been so completely absorbed into current theory that few scholars even realize these terms began with Santiago. He was the first to introduce poststructuralist thought to Brazil—via his publication of the Glossario de Derrida and his role as a prominent teacher. The Space In-Between translates many of his seminal essays into English for the first time and, in the process, introduces the thought of one of Brazil’s foremost critics and theorists of the lat...
DIVA sophisticated theoretical reconsideration of Latin American studies, critiquing past work and proposing new frameworks for the discipline./div
The essays range from colonial domination and international struggles over territorial claims, to a meditation on the politics of location, to the issue of spatial representation of mature-age women and gay men within a dialectic of visibility/invisibility in Spanish theatre and cinema."--Jacket.
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A lively analysis of the major contribution of Jewish women writers in Latin America.
In this book, Rafael R. Ioris critically revisits the postwar context in Brazil to reexamine traditional questions and notions pertaining to the nature of Latin America’s political culture and institutions. It was in this period that the region lived some of its most intense and successful experiences of fast economic growth, which was paradoxically marred by heightened ideological divisions, political disruptions, and the emergence of widespread authoritarian rule. Combining original sources of political, diplomatic, intellectual, cultural, and labor histories, Ioris provides a comprehensive history of the fruitful debates concerning national development in postwar Brazil, a time when the...
Graciliano Ramos and the Making of Modern Brazil brings updated criticism in English on the work of the prominent Brazilian writer Graciliano Ramos (1892–1953), a key figure in understanding the making of modern Brazil. Building on existing literature, this book innovates through chapters that consider issues such as Ramos’s dialogue with literary tradition, his cultural legacy for contemporary writers, and his treatment of racial discrimination and gender inequality through the multifarious, provocative and enduringly fascinating characters he created. The volume also addresses the question of Ramos’s political involvement during the years of the Getulio Vargas government (1930–45), to revisit established readings of the author’s politics. Through close reading of individual works as well as comparative analyses, this volume takes readers into the complexities of modernisation in Brazil, and highlights the writer’s significance for our understanding of Brazil today.
In Creative Transformations, Krista Brune brings together Brazilian fiction, film, journalism, essays, and correspondence from the late nineteenth to the early twenty-first centuries. Drawing attention to the travels of Brazilian artists and intellectuals to the United States and other parts of the Americas, Brune argues that experiences of displacement have had a significant influence on their work. Across Brazilian literary and cultural history, translation becomes a way of navigating and representing the resulting encounters between languages, interactions with Spanish Americans, and negotiations of complex identities. While Creative Transformations engages extensively with theories of translation from different national and disciplinary contexts, it also constructs a vision of translation uniquely attuned to the place of Brazil in the Americas. Brune reveals the hemispheric underpinnings of works by renowned Brazilian writers such as Machado de Assis, Sousândrade, Mário de Andrade, Silviano Santiago, and Adriana Lisboa. In the process, she rethinks the dynamics between cosmopolitan and national desires and between center and periphery in global literary markets.