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A History of Chinese Calligraphy
Chinese calligraphy has been an independent visual art form for thousands of years. Its wonderful aesthetics has inspired the art of Chinese painting since the second century B.C. Before pen and pencil were introduced to China, millions practiced the art of writing in ink. In the twentieth century, the art of calligraphy has not only fascinated modern Chinese who are part of this continuous tradition, but has also captured the interest and imagination of the world. This is the first proper history of Chinese calligraphy in English.
The Arts of China
Calls attention to arts which have developed and flourished in China since the Stone Age
Peking
The central character in Susan Naquin's extraordinary new book is the city of Peking during the Ming and Qing periods. Using the city's temples as her point of entry, Naquin carefully excavates Peking's varied public arenas, the city's transformation over five centuries, its human engagements, and its rich cultural imprint. This study shows how modern Beijing's glittering image as China's great and ancient capital came into being and reveals the shifting identities of a much more complex past, one whose rich social and cultural history Naquin splendidly evokes. Temples, by providing a place where diverse groups could gather without the imprimatur of family or state, made possible a surprisin...
古墨今承六代香
This beautifully illustrated volume provides an in-depth look at some of the key works in the Wan-go H. C. Weng Collection of Chinese painting and calligraphy. Weng Tonghe (1830-1904), who gathered the greater part of the collection, was a preeminent statesman and scholar of late Qing-dynasty China, and the masterworks he collected reflect the refined taste of the scholars of his time. Weng's great-greatgrandson Wan-go H. C. Weng--the collection's current owner-- brought it to the United States for safekeeping in 1948. The fifty-one works reproduced in this catalogue, on exhibit at the Huntington in spring 2009, range from the twelfth century to the twentieth, and represent such renowned artists as Shen Zhou, Wen Zhengming, Dong Qichang, Wang Jian, Wang Hui, Wang Yuanqi, and other important painters and calligraphers. The exhibition is based on an exhibit organized by the Museum of Fine Arts, Boston, in 2007.
Through a Forest of Chancellors
Liu Yuan’s Lingyan ge, a woodblock-printed book from 1669, re-creates a portrait gallery that memorialized 24 vassals of the early Tang court. Liu accompanied each figure, presented under the guise of a bandit, with a couplet; the poems, written in various scripts, are surrounded by marginal images that allude to a contemporary novel. Religious icons supplement the portrait gallery. Liu’s re-creation is fraught with questions. This study examines the dialogues created among the texts and images in Lingyan ge from multiple perspectives. Analysis of the book’s materialities demonstrates how Lingyan ge embodies, rather than reflects, the historical moment in which it was made. Liu unveile...
An Index of Early Chinese Painters and Paintings
This is the most comprehensive English-language compilation available on Chinese painters and their works from the late sixth through the mid- fourteenth century. Incorporating the work of Ellen Johnson Laing and Osvald Siren, the Index includes biographical details of the artists, their style and studio names.
