You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The attraction of a wink, a nod, a discarded snapshot—such feelings permeate our lives, yet we usually dismiss them as insubstantial or meaningless. With The Logic of the Lure, John Paul Ricco argues that it is precisely such fleeting, erotic, and even perverse experiences that will help us create a truly queer notion of ethics and aesthetics, one that recasts sociality and sexuality, place and finitude in ways suggested by the anonymity and itinerant lures of cruising. Shifting our attention from artworks to the work that art does, from subjectivity to becoming, and from static space to taking place, Ricco considers a variety of issues, including the work of Doug Ischar, Tom Burr, and Derek Jarman and the minor architecture of sex clubs, public restrooms, and alleyways.
A groundbreaking collection of fourteen essays on the struggles, pleasures, and contradictions of queer culture and public life in Canada. Versed in queer social history as well as leading-edge gay and lesbian studies, queer theory, and post-colonial studies, In a Queer Country confronts queer culture from various perspectives relevant to international audiences. Topics range from the politics of the family and spousal rights to queer black identity, from pride parade fashions to lesbian park rangers.
For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.
A captivating tour of the bookshelves of ten leading artists, exploring the intricate connections between reading, artistic practice, and identity Taking its inspiration from Walter Benjamin's seminal 1931 essay, the Unpacking My Library series charts a spirited exploration of the reading and book collecting practices of today's leading thinkers. Artists and Their Books showcases the personal libraries of ten important contemporary artists based in the United States (Mark Dion, Theaster Gates, Wangechi Mutu, Ed Ruscha, and Carrie Mae Weems), Canada (Janet Cardiff and George Bures Miller), and the United Kingdom (Billy Childish, Tracey Emin, and Martin Parr). Through engaging interviews, the ...
In 1993, a quirky California boy named Beck burst onto the scene with the irony warped anthem "Loser." He has since earned a reputation as one of the most innovative, stylish, and vital recording artists of our time -- selling millions of records in the United States alone, heading up numerous Album of the Year lists, and taking home a few Grammys and MTV spacemen. This insightful portrait explores Beck's unorthodox childhood, his rise to fame, and his impact on the landscape of contemporary music. When Odelay hit shelves in the summer of 1996, it was clear this eccentric young man was a musical force to be reckoned with. Born Bek David Campbell in 1970 to a Warhol Superstar mother and a blu...
None
Investigates the role of sex and sexuality in early 20th-century German culture, and how this past continues to shape the present
This comprehensive and authoratative four-volume work surveys the history and philosophy of crime, punishment, and criminal justice institutions in America from colonial times to the present.
Xeric Award-winning cartoonist Kevin Mutch skewers theory-spouting academics, sleazy art dealers, and obnoxious over-sharers. In this graphic novel, Adam Kline is an aspiring digital artist stuck in a thankless university adjunct position, married to an ambitious woman sick of supporting his pipe dreams, and is completely ignored by the New York art scene. Miraculously, though, his fortunes seem to be turning around. However, there's just one problem ― his mysterious medical condition keeps blacking him out at the most inopportune times, and slowly blurs his perceptions of reality and fantasy… And, if that wasn't enough, he has to content with eerie, pitch-black void, flesh-eating zombies, and a vast, secret network of bug-eyed, bald-headed aliens.
None