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Chinese Seals
Historical guide to Chinese seals, or "chops," and their various uses in business, art, and government.
Harmony Garden
This is the first complete study of China's most popular eighteenth-century poet in any Western language. The work consists of a detailed biography, a study of Yuan's revolutionary reinterpretation of Chinese literary theory, and an analysis of his many contributions to the more original genres of Qing-dynasty (1644-1911) poetry such as narrative, historical, didactic, eccentric, and nature verse. The study is concluded by a generous and representative sampling of Yuan's poetry in translation, the first to do justice to the wide variety and richness of his oeuvre. Although many shorter poems are selected, this is the first translation to include his outstanding longer poetry. Harmony Garden will completely revise current attitudes in the west concerning classical Chines literature during the eighteenth century, a period that was long viewed as one of decline, but now appears to equal the golden ages of antiquity.
Birth of an Empire
In 221 BCE the state of Qin vanquished its rivals and established the first empire on Chinese soil, starting a millennium-long imperial age in Chinese history. Hailed by some and maligned by many, Qin has long been an enigma. In this pathbreaking study, the authors integrate textual sources with newly available archeological and paleographic materials, providing a boldly novel picture of Qin’s cultural and political trajectory, its evolving institutions and its religion, its place in China’s history, and the reasons for its success and for its ultimate collapse.
The Dynamic Spread of Buddhist Print Culture
This comprehensive study explores the dynamic spread of Buddhist print culture in China and its Asian neighbors. It examines a vast selection of Buddhist printed images and texts, not merely as static cultural relics, but holistically within multicultural contexts related to other cultural products, and as objects on the move, transmitted across a sprawling web of transnational networks, “Buddhist Book Roads”. The author applies interdisciplinary and network approaches developed in art history, religious studies, digital humanities, and the history of the print and book culture to shed new light on Buddhist print culture from visual, textual, social, and religious perspectives.
Fu Shan’s World
"For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303–361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607–1685). Because his work spans the late Ming–early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change...
In the Shadow of the Mongol Empire
Memories of the Mongol Empire loomed large in fourteenth-century Eurasia. Robinson explores how Ming China exploited these memories for its own purposes.
Han Material Culture
Han Material Culture is an analysis of Han dynasty (206 BC–AD 220) Chinese archaeology based on a comparison of the forms of vessels found in positively dated tombs. The resultant chronological framework allows for the cross dating of tombs across China, of which approximately one thousand are documented here. In the context of this body of data, the development of not only vessel types but also tomb structure and decor is reevaluated, together with the pervasive intercultural exchange visible in all areas of this material. The Han dynasty emerges as a creative, surprisingly open society, heir to the Bronze Age and herald of what might be called the Age of Ceramics.
抱道林泉
This is the catalogue of the first exhibition devoted to the work of the late Qing Cantonese artist, Liang Yuwei (d. 1917). It includes over eightypaintings, fan and album leaves, as well as seals and a newly-uncovered manuscript by the artist which provides a rare survey of Liangs art and life. This fully-illustrated catalogue also contains three essays on the artist and his art, representing a new contribution to research on Lingnanartists.
Forgery and Impersonation in Imperial China
Across eighteenth-century China a wide range of common people forged government documents or pretended to be officials or other agents of the state. This examination of case records and law codes traces the legal meanings and social and political contexts of small-time swindles that were punished as grave political transgressions.
