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Ghost Stories by British and American Women
Originally published in 1998 and covering a tradition ignored by most critics, this bibliography assembles and documents a large body of supernatural fiction written by women in English from the end of the 18th century to the present. These stories, the work of women whose literary reputations, personal histories, and bodies of work vary widely, challenge the narrow way in which supernatural literature has traditionally been regarded: they indicate a much richer and more complex set of literary responses to the supernatural than has been hitherto acknowledged. The writers included range from Ann Radcliffe and the Gothic novelists to Louisa May Alcott, Charlotte Gilman, and Edith Wharton to such modern writers as Elizabeth Bowen, Jean Rhys, Muriel Spark, and A.S. Byatt. The volume will be of interest to literary and cultural historians and of particular importance to women's studies scholars.
The Yellow Wall-Paper
She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.
Perils of the Night
DeLamotte's book begins from the premise that the major conventions of the Gothic romance involve boundaries or barriers, which the Gothicist uses to play simultaneously on the fear of separateness and the fear of unity with some alien Other. She explores this question in the works of English and American writers, including Henry James, Mary Shelley, Herman Melville, Hawthorne, Emily Bronte, and Charlotte Bronte.
Mother Without Child
Revealing the maternal as not a core identity but a site of profound psychic and social division, Hansen illuminates recent decades of feminist thought and explores novels by Jane Rule, Alice Walker, Louise Erdrich and Michael Dorris, Marge Piercy, Margaret Atwood, and Fay Weldon. Unlike traditional stories of abandoned children and bad mothers, these narratives refuse to sentimentalize motherhood's losses and impasses. Hansen embraces the larger cultural story of what it means to be a mother and illuminates how motherhood is being reimagined today. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
Historical Dictionary of Asian American Literature and Theater
A Library Journal Best Reference Book of 2022 This book represents the culmination of over 150 years of literary achievement by the most diverse ethnic group in the United States. Diverse because this group of ethnic Americans includes those whose ancestral roots branch out to East Asia, Southeast Asia, South Asia, and Western Asia. Even within each of these regions, there exist vast differences in languages, cultures, religions, political systems, and colonial histories. From the earliest publication in 1887 to the latest in 2021, this dictionary celebrates the incredibly rich body of fiction, poetry, memoirs, plays, and children’s literature. Historical Dictionary of Asian American Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries on genres, major terms, and authors. This book is an excellent resource for students, researchers, and anyone wanting to know more about this topic.
A Human Necklace
From Brown Girl, Brownstones (1959) to The Fisher King (2000), Paule Marshall's novels, novellas, and short stories include a rich cast of unforgettable men, women, and children who forge spiritual as well as emotional and geographical paths toward their ancestors. In this, the first critical study to address all of Marshall's fiction, Moira Ferguson argues that Marshall's work collectively constitutes a multigenerational saga of the African diaspora across centuries and continents. In creating a space for her characters' interrupted lives and those of their elders and ancestors, Ferguson argues, Marshall trains a spotlight on slavery's wake and engages her fiction in the service of healing deep global wounds.
When Women Ask the Questions
In When Women Ask the Questions, Marilyn Boxer traces the successes and failures of women's studies, examines the field's enduring impact on the world of higher education, and concludes that the rise of women's studies has challenged the university in the same way that feminism has challenged society at large. Drawing on her experiences as a historian, feminist, academic administrator, and former chair of a women's studies program, Boxer observes that by working for justice—and for changes necessary to make the attainment of justice a practical possibility—women's studies ensures that women are heard in the processes and places where knowledge is created, taught, and preserved. The intellectual transformation behind the emergence of women's studies, Boxer concludes, is one of historic proportions. Like other great moments in human experience, it has given rise to a flowering of art, literature, and science, and to the challenging of previously accepted authorities of text and tradition.
Reciting America
He explores how these novels and other texts confront national discourse and strive, though with inconclusive results, to open America up to new subject positions by offering alternatives to the dominant ideology." "Douglas finds contemporary intellectual and political life, against the backdrop of a mythology enshrined in proclamations, pledges, and public documents, to be impoverished by the pervasive use of cliches, which he identifies as figures of speech that stimulate emotion or action while shortcircuiting reflection. In its extreme cliched form, the American Dream consists of nothing more than advertising slogans and popular culture images; yet these pronouncements retain a powerful hold on the will and imagination of U.S. citizens."
Hanging On and Rising Up
Hanging On and Rising Up invites readers to enter into key aspects of Christology, making use of women’s perspectives from the Andean Peruvian contexts by using novels by Clorinda Matto de Turner and José María Arguedas. Studying the social, racial, and cultural experiences in challenging contexts, the book confirms the nearness of God in Jesus Christ, who makes hope possible as a sign of resurrection and encourages persons to celebrate it daily.
