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This book deals with processes of reception in visual arts. Images (in the broadest sense) from different cultures and times are examined. The volume focuses on two key interpretations of reception. On the one hand, reception is understood as a concept of repetition and revision spanning different cultures and time periods. On the other hand, reception is also seen as the process of perceiving images. Both ways of understanding can be described by the metaphor of migration of images: in the first case, images migrate from one medium to another; in the second case, they migrate from the artefact into the human body. The contributions to this volume cover a variety of approaches coming from different disciplines such as Ancient Oriental philology, English and American studies, classical studies, classical archaeology, communication studies, cultural studies, art history, aesthetics, literature, media studies, philosophy, journalism, Romance studies, sociology, Near Eastern archaeology, prehistory, and classical studies.
Although humankind today can peer far deeper into the universe than ever before, we still find ourselves surrounded by the unknown and perhaps the unknowable. All great science fiction has used the human imagination to explore that realm beyond the known, just as theistic religions have done since long before the genre existed. As Hugo Award-winning author Robert Charles Wilson argues in Owning the Unknown, the genre's freewheeling speculation and systematic world-building make it it a unique lens for understanding, examining, and assessing the truth claims of religions in general and Christianity in particular. Drawing on his personal experience, his work as a science fiction writer, and hi...
This special issue of Cinéma&Cie explores the cultural dynamics, ideological aporias and political struggles that characterize the relationship between Maoism and national cinemas, from the immediate aftermath of the Cultural Revolution to the present day. All the articles included in the special issue highlight the complexity of the process of translation and ‘reinvention’ of Maoism in different cultural contexts, focusing on subjects and historical episodes that have been suppressed in public debates and in traditional film history books.
At last here is the long-awaited, first Western-language reference guide focusing exclusively on Chinese literature from ca. 700 B.C.E. to the early seventh century C.E. Alphabetically organized, it contains no less than 1095 entries on major and minor writers, literary forms and "schools," and important Chinese literary terms. In addition to providing authoritative information about each subject, the compilers have taken meticulous care to include detailed, up-to-date bibliographies and source information. The reader will find it a treasure-trove of historical accounts, especially when browsing through the biographies of authors. Indispensable for scholars and students of pre-modern Chinese literature, history, and thought. Part Three contains Xia - Y. Part Four contains the Z and an extensive index to the four volumes.
Lucy Wu, aspiring basketball star and interior designer, is on the verge of having the best year of her life. She's ready to rule the school as a sixth grader, go out for captain of the school basketball team, and take over the bedroom she has always shared with her sister. In an instant, though, her plans are shattered when she finds out that Yi Po, her beloved grandmother's sister, is coming to visit for several months -- and is staying in Lucy's room. Lucy's vision of a perfect year begins to crumble, and in its place come an unwelcome roommate, foiled birthday plans, a bully who tries to scare Lucy off the basketball team, and Chinese school with the annoying know-it-all Talent Chang. Lucy's year is ruined -- or is it? A wonderfully funny, warm, and heartfelt tale about the ways life often reveals silver linings in the most unexpected of clouds.
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En avril 1332, un objet qui se déplaçait à une vitesse prodigieuse entra dans le Système solaire, suivit une trajectoire hyperbolique autour du soleil puis repartit, le tout en l’espace de quelques semaines. Visible à l’œil nu, il aurait ressemblé à n’importe quelle comète, présage d’on ne savait trop quoi, brillant pendant un temps dans le ciel nocturne. Mais il était trop sombre pour qu’on le repère sans grossissement, et les télescopes capables de montrer pareil objet ne seraient conçus que six cents ans plus tard. Personne, sur Terre, ne remarqua son passage. Le quinzième jour du même mois, dans la ville française de Bayonne, en Gascogne, Sibilla Ysarni, femme ...