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Europe Lost Her Sovereignty
CONTENT OF THE BOOK Human history does not proceed like a mechanical construct, the world is too complex for that. And yet, a certain direction and consistency in historical development become visible. Certain decisions made in 1919 by the victorious powers of the First World War led to a new order in the world. We need to know the principles of the shaping of power and domination that underpinned the decisions of that time in order to be able to classify today's events, as well as the actions of political decision-makers. This is the only way to succeed in recognizing a structure in the supposed chaos around us. We want to serve this learning from history with our book. The insights gained ...
Brecht and Tragedy
Explores Brecht's complex relationship with Greek tragedy and the tragic tradition, including significant archival material not seen before.
Theatre Worlds in Motion
Theatre Worlds in Motion aims to clarify the different theatre traditions and practices in Western Europe from a historical and sociological perspective. The book grew out of a perceived need among theatre scholars who had recognised that, while they understood the theatre system of their own country, they often found it difficult to discover how it compared with other countries. The chapters analyse the basic components and dynamics of theatre systems in seventeen Western European nations in order to elucidate how the systems function in general and how they vary in different cultures. The book provides a sense of what has been happening recently in particular countries, and indicates how t...
Bertolt Brecht: A Literary Life
This first English language biography of Bertolt Brecht (1898–1956) in two decades paints a strikingly new picture of one of the twentieth century's most controversial cultural icons. Drawing on letters, diaries and unpublished material, including Brecht's medical records, Parker offers a rich and enthralling account of Brecht's life and work, viewed through the prism of the artist. Tracing his extraordinary life, from his formative years in Augsburg, through the First World War, his politicisation during the Weimar Republic and his years of exile, up to the Berliner Ensemble's dazzling productions in Paris and London, Parker shows how Brecht achieved his transformative effect upon world theatre and poetry. Bertolt Brecht: A Literary Life is a powerful portrait of a great, compulsively contradictory personality, whose artistry left its lasting imprint on modern culture.
Europe in Search of Her Soul
The civilization of the modern world takes its origins in the Renaissance in Europe. A Historical reconstruction of the creation of modern Europe since the Renaissance leads to a thorough understanding of the critical and constituent elements that are characteristic of the mindset of Europe and its people. These principal elements are the growing individual consciousness and the role played by the individual in society, the specific European view on progress, and the unique European view on growth. Science and technology are the foundation and basic melody of the Western model of capitalism and life in modern Europe. In their combination, this complex of factors and forces has driven Europe ...
Brecht Newsletter
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Kurt Weill: The Threepenny Opera
This is a book on the best known of the Weill-Brecht collaborations which explores the extent and significance of the composer's contribution. After a detailed reconstruction of the work's genesis and continued revision over three decades, Stephen Hinton examines the spin-offs on which Weill and Brecht participated: the instrumental suite, the film, the lawsuit, the novel, and the musical and textual revisions of songs. In a survey of the stage history, Hinton pays particular attention to pioneering productions in Germany and Great Britain. Kim Kowalke provides an exhaustive account of the history of The Threepenny Opera in America, Geoffrey Abbott addresses questions concerning authentic performance practice, and David Drew analyses large-scale motivic relationships in the music. Among the earliest writings on the work reprinted here, those by Theodor W. Adorno, Ernst Bloch and Walter Benjamin appear for the first time in English translation. The book contains numerous illustrations, a discography, and music examples.
A Political Biography of Arkadij Maslow, 1891-1941
This book is a political biography of Arkadij Maksimovich Maslow (1891-1941), a German Communist politician and later a dissident and opponent to Stalin. Together with his political and common-law marriage partner, Ruth Fischer, Maslow briefly led the Communist Party of Germany, the KPD, and brought about its submission to Moscow. Afterwards Fischer and Maslow were removed from the KPD leadership in the fall of 1925 and expelled from the party a year later. Henceforth they both lived as communist outsiders—persecuted by both Hitler and Stalin. Maslow escaped to Cuba via France and Portugal and was murdered under dubious circumstances in Havana in November 1941. He died as a communist dissident committed to the cause of a radical-socialist labor movement that lay in ruins. Kessler considers Maslow's role in pivotal events such as the Bolshevik Revolution, in Soviet revolutionary parties and organizations, through to the rise of Stalinism and Cold War anti-communism. What results is a deep dive into the life of a key yet understudied figure in dissident communism.
A History of the Berliner Ensemble
The first study in any language of the Berliner Ensemble, the theatre company co-founded by Bertolt Brecht.
Dramaturgies of War
This book examines the institutional contexts of dramaturgical practices in the changing political landscape of 20th century Germany. Through wide-ranging case studies, it discusses the way in which operationalised modes of action, legal frameworks and an established profession have shaped dramaturgical practice and thus links to current debates around the “institutional turn” in theatre and performance studies. German theatre represents a rich and well-chosen field as it is here where the role of the dramaturg was first created and where dramaturgy played a significantly politicised role in the changing political systems of the 20th century. The volume represents an important addition to a growing field of work on dramaturgy by contributing to a historical contextualisation of current practice. In doing so, it understands dramaturgy not only as a process which occurs in rehearsal rooms and writers’ studies, but one that has far wider institutional and political implications.
