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December 1941: Jessica Richards, daughter of corrupt New Orleans councilman Whitman Richards, is the victim of a sensational daylight kidnapping from the grounds of a Catholic girls’ academy. Richards, a man with many enemies, outrages both his wife and police Captain Frank Casey by throwing the police off the case. Is it because the kidnapper is a familiar enemy, returned to settle an old score, or has Richards faked the kidnapping to further some aim of his own? The desperate mother turns to the one person who might help her old boyfriend Wesley Farrell. Farrell, a Creole club owner passing for white, freshly returned from a self-imposed exile to Havana, prowls the city’s bars and stre...
Available again, an influential book that offers a framework for understanding visual perception and considers fundamental questions about the brain and its functions. David Marr's posthumously published Vision (1982) influenced a generation of brain and cognitive scientists, inspiring many to enter the field. In Vision, Marr describes a general framework for understanding visual perception and touches on broader questions about how the brain and its functions can be studied and understood. Researchers from a range of brain and cognitive sciences have long valued Marr's creativity, intellectual power, and ability to integrate insights and data from neuroscience, psychology, and computation. ...
"A Bradford book." Bibliography: p. [491]-523. Includes index.
First multi-year cumulation covers six years: 1965-70.
The Control of Eye Movements presents the proceedings of the Symposium on the Control of Eye Movements organized by the Smith-Kettlewell Institute of Visual Sciences of the Pacific Medical Center and the Department of Visual Sciences of the University of the Pacific Graduate School of Medical Sciences, San Francisco, California, November 10-11, 1969. The book is organized into two parts. Part I is devoted to presentations of anatomical, physiological, pharmacological, psychological, and clinical aspects of eye movements. The material presented should provide a valuable reference source as well as increase awareness of the need for further investigation of many aspects of the basic physiology of eye movements. Part II presents a series of papers dealing with models of various parts of the oculomotor system. The modeling approach to control of eye movements is still in its infancy and the present work presents the first comprehensive survey of biophysical, mathematical, and engineering aspects of eye movement control.
In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in film. With its thorough grounding in the philosophy of spectatorship and narrative, Projecting a Camera takes the study of film to a new level. With the care and precision that he brought to Narrative Comprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera, offers insights rich in implications for our understanding of film and film studies.
In an experiment that occurred some forty years ago, Henry M.'s memory was stolen from him during a highly controversial operation performed to cure his epilepsy. Part poetic reflection and philosophical meditation, part popular science and investigative journalism, Memory's Ghost is an unforgettable journey into the mysteries of the human mind.
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In Breaking the Surface, Doug Bailey offers a radical alternative for understanding Neolithic houses, providing much-needed insight not just into prehistoric practice, but into another way of doing archaeology. Using his years of fieldwork experience excavating the early Neolithic pit-houses of southeastern Europe, Bailey exposes and elucidates a previously under-theorized aspect of prehistoric pit construction: the actions and consequences of digging defined as breaking the surface of the ground. Breaking the Surface works through the consequences of this redefinition in order to redirect scholarship on the excavation and interpretation of pit-houses in Neolithic Europe, offering detailed c...