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The Absent Museum
'The Absent Museum' is a large thematic exhibition that explores the absence of museums in public debates today. What relation can exist between historical awareness and aesthetic commitment? How can artists maintain the tension between globalisation's paradoxes and history's turbulences, and their individual sensibilities and voices? Works and new productions by around 49 artists - both contemporary and those active in the recent past - map what is at stake for museums and the societies that inspire them.
Franz Erhard Walther
Franz Erhard Walther’s exhibition offers an in-depth look at an influential German artist whose pioneering work straddles minimalist sculpture, conceptual art, abstract painting, and performance all while positing fundamental questions about the conventional idea of the artwork as an immutable, obdurate pedestalor wall-bound thing. Bringing together pivotal works made between the 1950s and the present, this exhibition focuses on Walther’s ability to transform notions of objecthood and perception through drawings, paintings, fabric sculptures, participatory forms, languagebased works, photographic documentation and archival material.0The show at WIELS, the first for the artist in Belgium ...
Sophie Podolski. Le Pays Où Tout Est Permis
The first monograph dedicated to the visual art of Belgian cult poet and writer Sophie Podolski (1953-1974) features original essays, previously unpublished drawings and texts, and selected translations of her handwritten, illustrated manuscript 'The Country Where Everything Is Permitted' (1972). The contributing writers each explore specific iconographies that are crystallized in Podolski's remarkable graphic oeuvre, considering her highly personal vocabulary and uninhibited style against the backdrop of the late 1960s' and early 1970s' counterculture. Founded on new research that underpinned her solo exhibitions at WIELS (Brussels) and Villa Vassilieff (Paris), this book brings Podolski's lost art into the limelight.00Exhibition: Wiels, Brussels, Belgium (20.01 ? 01.04.2018) / Villa Vassilieff, Paris, France (21.04. - 07.07.2018).
Risquons-Tout
The work of 38 established and emerging artists explore the creative potential of risk-taking and transgression in contemporary life
Congoville
One hundred years after the founding of the École Coloniale Supérieure in Antwerp, the adjacent Middelheim Museum invites Sandrine Colard, researcher and curator, to conceive an exhibition that probes silenced histories of colonialism in a site-specific way. For Colard, the term Congoville encompasses the tangible and intangible urban traces of the colony, not on the African continent but in 21st-century Belgium: a school building, a park, imperial myths, and citizens of African descent. In the exhibition and this adjoining publication, the concept Congoville is the starting point for 15 contemporary artists to address colonial history and ponder its aftereffects as black flâneurs walking...
Leigh Ledare, Et Al
If there are any taboos left in photography, then Seattle-born photographer Leigh Ledare (born 1976) is out to break them. Ledare made an instant splash with his extraordinary 2008 book Pretend You're Actually Alive, in which he documented his mother having sex with her lovers and posing solo or with her son. Genuinely and unabashedly shocking, this volume took the Larry Clark school of candor and explicitness to new heights (Ledare worked for a while as Clark's assistant), and now sells for large sums second-hand. This second monograph gathers selections from this previous volume, alongside new works, including a commission to make erotic photographs for an admirer (who remains anonymous) d...
René Daniëls: Fragments from an Unfinished Novel
This comprehensive catalog on Dutch painter René Daniëls (born 1950) tracks the evolution of his visual language, including elements of repetition and variation in his paintings. The book presents works from the late 1970s through 1987, plus drawings and notes produced since 2007.
Blomme
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Shifting Places
This book provides, for the first time, a profound insight into Peter Downsbrough's diverse and complex use of photography within his artistic work over the last 40 years.
