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Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany. Situating these artists between the politically motivated art of 196...
The sociology of art is now an established sub-discipline of sociology. But little work has been done to explore the implications not of society on art, but of art on the nature and principles of sociology itself. Vision and Society explores the ways in which art (here mainly understood as visual art) structures in fundamental ways the constitution of society, the relations between societies and the ways in which society and culture should be theorized. Building initially on an unfulfilled project by the French sociologist of art Nathalie Heinich to derive a sociology from art, this book pushes this idea in unconventional directions. Rethinking the relationships between the study of art and the study of sociology and anthropology, this book explores how this rethinking might impact sociological theory in general, and certain aspects of it in particular – especially the study of social movements, social change, the urban, the constitution of space and the ways in which human social relationships are mediated and expressed.
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Meditations, maxims, aphorisms, notes, and comments address topics that range from pathos and genius to careerism and club sandwiches. Marcus Steinweg's capacity to implicate the other is beautiful, bright, precise, and logical, grounded in everyday questions, which to him are always big questions. —from the foreword by Thomas Hirschhorn The houses of philosophy need not be palaces. —Marcus Steinweg, “House,” The Terror of Evidence This is the first book by the prolific German philosopher Marcus Steinweg to be available in English translation. The Terror of Evidence offers meditations, maxims, aphorisms, notes, and comments—191 texts ranging in length from three words to three page...
From Charlotte's Web to Porky Pig and Babe, Americans betray a curiously deep regard for pigs. Hog Ties looks at this phenomenon, its relation to American culture, and the way in which themes of life and death are played out in the care, feeding, slaughter, and eating of pigs. Intermingling silly asides with serious subjects, existential concerns with environmental issues, the book considers the ways that pigs might help Americans address powerful human concerns.
Meditations, aphorisms, maxims, notes, and comments construct a philosophy of thought congruent with the inconsistency of our reality. Those who continue to think never return to their point of departure. —Inconsistencies These 130 short texts—aphoristic, interlacing, and sometimes perplexing—target a perennial philosophical problem: Our consciousness and our experience of reality are inconsistent, fragmentary, and unstable; God is dead, and our identity as subjects discordant. How can we establish a new mode of thought that does not cling to new gods or the false security of rationality? Marcus Steinweg, as he did in his earlier book The Terror of Evidence, constructs a philosophical ...
A series of panoramic photographs were taken of an alpine view from the balcony of a mountain lodge called the Rechenau, near Kiefersfelden in Bavaria. Maryam and Rolf Sachs focused their camera on two majestic mountain peaks, 'Der Zahme Kaiser' (The Tame Emperor) on the left and 'Der Wilde Kaiser' (The Wild Emperor) on the right, that lie over the German border in Austria. The discipline for the project was rigorous, throughout 2004 the camera, which was housed in a purpose built shelter shot over 50,000 photographs, each taken every 10 and half minutes. The pictures succeed in capturing nature's ever changing moods. Rolf Sachs studied business management and is a renowned London-based furniture and object designer. Maryam Sachs who holds a Masters in International Affairs, has published anthologies such as 'Der Mond' (the moon) and 'Der Kuss (the kiss). Includes a Foreword by Wilfried Dickhoff, noted art critic and curator of such exhibitions as the Art Project "In Between" at the EXPO 2000 Selected photographs from Rechenau will be exhibited throughout Europe. 133 colour photos
Der Hirsch ist das Tiermotiv, das in der abendländischen Kultur nicht nur am häufigsten dargestellt wurde, es ist auch eines der am frühesten dargestellten Motive und beinhaltet zahlreiche Bedeutungen, die sich bis in die Ursprünge menschlicher Kultur zurückverfolgen lassen. Heute wird das Motiv häufig auf den "Röhrenden Hirsch" über dem Sofa reduziert. Seine Blütezeit erlebte das Motiv Ende des 19. Jahrhundert, mit dem Aufkommen der Bilderfabriken wurden die Motive des Hirschmalers "par excellence", Sir Edwin Landseer und seiner Zeitgenossen massenhaft reproduziert. Das populäre Kitschobjekt schien für ernsthafte künstlerische Positionen verloren. Doch gerade in der zweiten Häl...
Interweaving Haring's own words with the reflections of those who knew him, this book captures the remarkable life and spirit of one of the most celebrated artists of our time, who died at age 31 in 1990. Haring candidly discusses all aspects of his life, from his controversial approach to art to coming to terms with AIDS. Illustrated with full-color reproductions of the artist's strikingly original works.
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