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Willem de Kooning, 1904-1997
Dutch-born American painter Willem de Kooning (1904-1997) was a leader of the Abstract Expressionist movement. This text takes a look at his life and work.
Willem de Kooning
This catalogue of an exhibition held at Gagosian Gallery, New York, highlights the critical three-year period, 1983–1985, in the last decade of de Kooning’s long career, during which he radically transformed his style. The paintings in this catalogue were selected by John Elderfield, curator of the widely acclaimed, full-scale retrospective of de Kooning’s work held at MoMA in 2011–12. Of the works of this period, Elderfield observed: "De Kooning truly reinvented himself in these extraordinary canvases.…They remain not only spatially complex, but also extremely physical pictures, both visually open and densely embodied." Elderfield’s essay discusses ten themes in de Kooning’s work specific to these paintings. The book also includes texts by five painters reflecting on de Kooning’s late works.
Willem de Kooning
Willem de Kooning was a pioneering figure among Abstract Expressionists, one of the most influential champions of the dynamic new painting that brought New York to the center of the international scene in the 1950s. This book features ten paintings and drawings by de Kooning selected from The Museum of Modern Art's substantial collection of his work. Together they trace the artist's career, illustrating his much-heralded debut exhibition in 1948, his sensational Woman series of the 1950s and 1960s, and the serene works he made late in life. An essay by Carolyn Lanchner, a former curator of painting and sculpture at the Museum, accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art.
Willem de Kooning
This in-depth study of the paintings of Willem de Kooning (1904-1997) from the 1940s through the 1970s breaks new ground in its analysis of the artist's working methods and yields new information about previously unreported materials. De Kooning's idiosyncratic working methods have long engendered intense speculation and debate among conservators and art historians, primarily on the basis of visual inspection and anecdotal accounts rather than rigorous technical analysis. This is the first systematic study of de Kooning's creative process to use comprehensive scientific examinations of the artist's pigments, binders, and supports to inform art historical interpretations, thereby presenting a key to the complicated evolution of the artist's work. Written for conservation scientists, conservators, specialists in modern art history, museum curators, and practicing artists, this book offers insights into the way an artist can achieve radical changes in style. The technical discussions will have practical applications for conservators, curators, collections managers, and collectors who care for twentieth-century art.
Willem de Kooning Nonstop
This image-rich essay offers a radical rethinking of the ab-ex painter Willem de Kooning by one of the greatest American art critics. Many have written about de Kooning s startling canvases of monstrous women, but none have approached them this way. In prose as energetic as her subject, Rosalind Krauss demonstrates how de Kooning could never stop reworking the same subject. Deploying one telling image after another, she shows that, from the early days of his career, de Kooning nearly always (1) worked with a tripartite vertical structure, (2) projected his own figure and point of view as the (male) artist into the painting, and (3) was compelled to produce the female figure, legs splayed obscenely or knees projected into the viewer s space in practically everything he made. Hidden in plain sight even in paintings of highways, boats, and landscapes, Woman is always there. How could we have missed this?"
De Kooning
Willem de Kooning had a restless, probing creativity, pushing on from one style to the next. The battle between abstraction and figuration was essential to his art as he moved from the profound black-and-white abstractions of the 1940s to the ferocious Women of the 1950s, through the later "landscapes" and the final lyrical abstractions. This richly illustrated volume offers a perceptive and sympathetic view of an artist who made some of the greatest art of this century. The variety, the inventiveness, the sheer quality of de Kooning's work demand our attention and reward us with visual riches. Book jacket.
Willem De Kooning
A publication displaying the late works of one of the most influential artists of the twentieth century.
De Kooning
This publication offers an unparalleled opportunity to appreciate the development of the artist's work as it unfolded over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s.
De Kooning
Traces the career of abstract expressionist Willem De Kooning, discussing his personal life with wife Elaine Fried, and his battle with alcoholism and Alzheimer's disease.
Willem de Kooning
Published in conjunction with an exhibition of the same name organized by the San Francisco Museum of Modern Art and the Walker Art Center in Minneapolis, and scheduled to appear as well in museums in Bonn, Rotterdam, and New York during 1996 and 1997. Until now, the 1980s paintings have been seen only in a handful of gallery exhibitions or in the context of large museum surveys; this presentation allows study of the distinguishing qualities of these late paintings, and the thoroughly researched essays explore the complex issues surrounding de Kooning's affliction with Alzheimer's disease. Annotation copyright by Book News, Inc., Portland, OR
